1. Introduction
Since the 1990s, there has been growing awareness of the world as a single, integrated—yet fragile—system, and of the fact that most of the planet’s inhabitants live in cities. Demographic forecasts show that this trend is intensifying and estimate that by 2050, 70% of the global population will live in megacities and in regions of intense urbanization. At the same time, population growth and the consumption of natural resources are having an enormous impact on the environment. At this rate of growth, it is difficult to imagine that we can maintain the consumption and production levels of cities, without reformulating them to align with sustainable levels. Thus, it is in cities that the theme of sustainability plays out empirically and conceptually. As Parag Khanna states “the 21st century will not be dominated by America or China, Brazil or India, but by the city. In an age that appears increasingly unmanageable, cities rather than states are becoming the islands of governance on which the future world order will be built” [
1] (p. 122).
The interest in the issues of sustainability started in the early 1970s, when people also started to undermine the notion, typical of 19th-century political and economic philosophies, that science and technology could continue with a never-ending, linear development. These challenges became even more forceful in the 1990s, first with the Brundtland Report and subsequently with the philosophical rethinking of the relation between the human being and the environment. In other words, there was a reflection on whether humans were entitled to modify the environment around them, to manipulate it and exploit it, and, if so, with what limitations, or whether the environment is endowed with a moral relevance that gives it a value to be respected, such that human freedom is limited in dealing with it [
2,
3,
4]. These positions have become the point of origin of new movements and contemporary urban policies, thereby determining the transfer to the city of the concept of sustainability, which until then had been extraneous to urban culture. The fact is that cities have always consumed more resources than they have produced, in part thanks to the opportunities afforded by transport systems which, from the 19th century, enabled provisioning levels which until then had been unthinkable. Consequently, although we currently live in what Crutzen has defined the “Anthropocene era”, characterized by the dominance of humans over the ecosystem [
5], sustainability has become one of the main themes of cities, emerging as the space in which our equilibrium with nature must be redefined and rebuilt.
It is clear that the limitations of what has become one of the main themes for the city is contemporary society’s resistance to changing lifestyles, production levels, and consumption to save the planet. In fact, it is the ecological and economic aspects of sustainability that have been emphasized the most, for example, through schemes to encourage energy-saving, whereas its shared social and cultural value—understood not only as a fair distribution of resources, but also as inclusion, accessibility, and quality of urban life—has been largely disregarded. The resulting debate swiftly turned from the rigor of science to political and everyday discourse. In this context, the social dimension of sustainability has often been neglected and is still today an under-represented aspect of city planning (one can think, for example, of the numerous cases of urban revitalization of neighborhoods or buildings that do not take into account the effects in terms of worsened quality of life for residents). In part, this is probably because the relationship between sustainability and urbanism involves the concepts “urban” and “ecological”, which, historically, have developed in opposition to each other, both theoretically and empirically, each invading the space of the other. The notion of coexistence is somewhat problematic and presupposes the natural environment to be a model, metaphor, and medium for a new way of designing cities.
At the same time, the specific interest that existing research from multiple disciplines shows for the analysis of the connections that individuals have with their urban environment at multiple scales is a feature of the contemporary world and has several intersections with the spatial turn that was instigated mainly by the thought of Soja, Cosgrove, and Jameson [
6,
7,
8]. This phenomenon that characterizes contemporary cities cannot be regarded as an unequivocal phenomenon, since it manifests itself in forms and dimensions that are very diverse. Today, we are witnessing a divide between a more general focus on the green issues that have traditionally afflicted cities at a macroscopic level—e.g., the antithesis, in theoretical and design terms, between the compact city and the urban sprawl—and the contemporary focus on meso-spaces such as districts, or micro-spaces such as public and private parks, city allotments, green roofs, and “third landscapes”, that is to say the urban voids described by Clément in which grass, bushes, and flowers appear [
9]. When we analyze the various levels, we see a widespread proliferation of the types of urban green space available that is not merely due to the fact that it has become essential to provide nature in cities, as previously occurred with culture and standards of comfort (in this respect, nature can be seen as a fashion, enhanced by powerful marketing campaigns aimed at the green way of life of the new millennium). In fact, the wider range and availability of green spaces are also due—and this is of considerable interest—to the drives for participation that traverse cities and have great political, sociological and community impact (e.g., metropolitan community centers and shared spaces that are not regulated and are enjoyed collectively). However, in this regard, we must stress that although contemporary metropolises are characterized by a type of urban planning and design that are geared towards including “nature” in the urban fabric (e.g., through vertical gardens, jardin à partager, or “agritectural” interventions—that is to say through forms of hybridization between agriculture and architecture like High Line in New York or urban agriculture on the rooftops of buildings in London or Paris—or urban farms, etc.), the use of these spaces is not accessible to everybody (one need only think, for example, about the semi-public green urban spaces that produce forms of social exclusion). However, these are interventions that aim at modifying urban living and the sense of community. After all, de Certeau already described daily practices as practices of “doing with”, i.e., the ways in which individuals carry out the experience of places in an adaptive way, but also as a dimension of being and living [
10]. Thus, there are levels of attention and awareness regarding urban green spaces that are very diverse but undeniably decisive for the development of all future metropolitan frameworks, especially in the possibility of thinking about space in a way that promotes social and cultural values at the heart of the human–nature relation and of urban living. This is the objective of biophilic design that reintegrates the natural dimension and transforms the imaginary of nature, promoting it, also with a view to rebuilding the social reality that is part of the individuals’ daily life, by defining new practices of living.
It goes without saying that in this debate the relationship between humans and nature and the characteristics of the new urban form play a key role. Alongside these, the emergence of biophilic urbanism could be a non-rhetorical answer to the question of sustainability for three reasons. First, because it is based on integrating the natural world not only into the urban fabric (through, for example, the use of public green spaces), but also into the built environment—that is, the external shell of buildings and their internal space—through, say, the use of natural forms and materials. Second, because it places the relationship between humans and nature at the center of the approach to reconstruction, including as it applies to values and culture. Lastly, because it does not only consider nature as the physical plant world, but also as an organizational model made up of patterns and processes that can be transferred to the built environment and can improve the quality of urban life for individuals.
This article is situated in the research field that sees urban sociology engage with the relation that binds people, the built environment, and the lived space both on the macro scale of the city, and on the micro level of buildings and artifacts [
11]. Through the distinction of space into three categories —perceived, understood, and lived—Lefebvre tried to demonstrate that space is never produced like “kilograms of sugar, sacks of coffee beans and meters of fabrics” [
11] (p. 403), but it is always a representation, and as such it is the result of a correlation. If perceived space corresponds to a concrete practice and to appearance, the understood space is a representation—for example, those that the planners have—and the lived space is made up of the “spaces of representation” that are experienced by individuals through symbols and images. As a result, space is a social product that is constantly shaped through the daily experiences of individuals, spatial practices, and perceptions. According to Merleau-Ponty, space is the result of values, habitus (that is, the mental structure or the patterns through which people perceive, understand, and evaluate the world that surrounds them), tastes, practices, and expectations that pertain to the everyday lived experiences of individuals [
12].
On the basis of these premises, biophilic design or planning can contribute, on the one hand, to positively define the relation that binds the understood space and the lived space, responding to the needs and desires of residents and, on the other, on the urban scale, to define and enrich with meanings, including spontaneous ones, the emerging biophilic urbanism, the modes of reappropriation of the city by their inhabitants. In other words, intervening in the urban socio-spatial structure can encourage different behaviors and a new urban way of life.
In this perspective, through the results of the focus groups that were carried out within the project Exploring the benefits of biophilic design in urban settings, the research presented in this article explores the relationship between spaces designed with biophilic principles and people’s pro-environmental values and behaviors.
Space is conceived as the interface between the physical characteristics of the environment, its typical activities and behaviors, and the representations and evaluations of these activities and behaviors. Thus, the unit of analysis is conceptualized as the interface between the biophilic setting and the people that interact with it. The central question of the research is to explore the effects of biophilic setting on environmental values and behaviors. The research hypothesized that design that is inspired by biophilic principles promotes connectedness with nature and is positively related to pro-environmental and more sustainable values and behaviors.
As a starting point, we ought to summarize the key concepts (such as biophilia, biophilic design, and human–nature relation) that form the background to this article.
3. Materials and Methods
The Exploring the benefits of biophilic design in urban settings project was launched in 2018 and is led by the Rome-based ReLab—Studies for Urban ReEvolution research laboratory in partnership with the “Dante Alighieri” University for Foreigners of Reggio Calabria, Italy. This paper uses some of the preliminary results that emerged from this project. The investigation was conducted using qualitative methods (focus groups and participant observation) in order to focus on the perceptions of the relationship between the built space and the natural landscape.
The reflection on the human–nature relationship within the city and the value of biophilic hypotheses contribute to redefining the role of nature in the sustainable city, understood not only as the presence of green spaces in the urban fabric, but also as an attribute of the built space, as a blueprint or organizational principle of planning, adapted to the relevant scale [
60].
In this regard, even though they originated from the architectural determinism that shaped the relationship between sociology and urban planning since the 1960s, the biophilia hypotheses mark a change in perspective: this is both because they are based on a reconnection of humans with nature (with its patterns, forms, and materials), and because they contribute to defining the contents of the green turn that characterizes the contemporary city with regard to the interventions on the urban fabric, i.e., of a theoretical and empirical approach in which the individual becomes the centerpiece of space and shapes it on the basis of his/her needs and city demands.
Against this background, the Exploring the benefits of biophilic design in urban settings project was carried out using qualitative methodologies (focus group and participant observation), in order to identify the ways in which the relationship between the built space and the natural landscape is perceived. The results that are presented in this article derive from 10 focus groups, each with between 8 and 14 participants aged 35–75 years (distribution of age: 62% <50 and 38% 50–75), who were not too similar in terms of age, educational background, and profession to enable the analysis of different stances (distribution of professional occupation: employees 45%, manager 14%, retired 27%, other 14%). The focus groups were held, between 2018 and 2019, in five Italian cities situated in different regions to obtain a representative picture of the situation in Italy. Recruitment was done through a questionnaire and participants were balanced by gender (distribution: 52% female and 48% male). There was an overall similarity in the focus group results from the different geographical areas studied.
The choice of the focus group has given the opportunity to understand more precisely the points of view of the individuals, the opinion formation process, and the ways in which the relationship between the built space and the natural landscape are perceived, or in any case the relevance of inserting nature and its patterns in urban planning on different scales vis-à-vis the expectations of the participants [
61,
62].
To this end, a default interview protocol was established, the data collection was conducted directly with questions that were clearly related to the topic, and the discussion was guided and managed by a moderator, who used simple and plain language to be understood by all participants. The saturation point (that is, when the participants do not detect the absence of new attributes or dimensions) was reached during the second focus group. The first part of the focus groups took place in a “neutral” environment that was not characterized by the presence of nature (neither directly nor indirectly due to forms or materials); in contrast, the second part took place within green spaces designed according to the principles of biophilic design and characterized by the direct and indirect presence of nature, e.g., through forms and materials. In both cases, indoor or outdoor environments were chosen that met the requirement of presence/absence of elements of biophilic design. In particular, the environments in which the first part of the focus groups took place were characterized by the absence of elements belonging to biophilic design. This stage concerned indoor and outdoor environments characterized by a design without elements belonging to the world of plants, or at any rate references to the shapes and materials of nature, or of a design that pays attention to the presence of natural light, ventilation, the sensory component, etc. As a result, the following were chosen: a meeting room, a cultural meeting center, a shopping mall, and two outdoor spaces with a prevalence of built environment in which the presence of green was marginal or spontaneous.
Conversely, the second part of the focus groups took place in predominantly outdoor environments characterized by the presence of elements belonging to biophilic design and at least two of the three categories identified by Browning et al., namely: (1) nature in the space (e.g., visual connection with nature, thermal and airflow variability, presence of water, natural lighting), (2) nature analog (e.g., biomorphic form and patterns, material connection with nature), and (3) nature of the space (e.g., prospect, refuge) [
17]. More specifically, the following were chosen: a therapeutic garden, an urban garden, two open-space offices, and an urban park.
Across the two stages, no difference was detected in the answers given by the participants between the indoor and outdoor environments. The element that seems to have determined a change in the participants’ answers was the presence, or lack, of elements of biophilic design in the space.
The participants’ verbal and non-verbal reactions were analyzed, and the comments and dialogues of the subjects during all stages of the interaction were transcribed according to a qualitative or ethnographic approach [
61].
5. Discussion
The group discussions provided useful insight into the interpretation and relevance of the human–nature relationship. In particular, two broad and interconnected areas of reflection emerged. The first was that the way individuals perceive the natural environment surrounding them, including through the senses, is not a static phenomenon that can be determined a priori. On the contrary, it is a multimodal experience, probably rooted in our evolutionary history, but also influenced by our ability to appraise the language of the surrounding environment and the visual patterns that recall the natural world and facilitate a sense of spatial orientation. The overall impression given by the results is that individuals respond in different ways to the properties of a space, even when these are inspired by biophilic design principles. Of course, technology has given humans the illusion that they can overcome the ecological and physiological limitations imposed by the environment. It is precisely this deep belief in the ability to dominate nature that emerges from group discussions, and often prevents individuals from perceiving clearly the real extent of the separation between humans and the natural world. The western model of overconsumption and constant comfort has produced a value system based on the indifference of humans and an ever-increasing difficulty to recognize, nurture, and preserve our original relationship with nature. The consequences of this are more and more visible in the human habitat and range from growing levels of pollution to the gradual extinction of animal and plant species. While technology provides the opportunity for more targeted intervention, for example with regard to energy efficiency, our inability to reconnect with the natural world makes it difficult to implement the systematic changes in culture, value systems, and lifestyles needed for widespread understanding and assimilation of the principle of sustainability. This state of affairs is probably due to the limited ability of individuals to understand (it is easier to see and understand the immediately surrounding environment than to have a clear overall perception that includes the far-off or the apparently abstract), and also to a reduced capacity for critical evaluation and judgment which often restricts their perspective to the utilitarian and the functional.
Another consideration that emerged from the groups was that green spaces and natural patterns designed according to biophilic principles have a significant impact on the behavior of individuals—as is the case with the historical stratifications and memories of cities—within a context of continuity in space and time that fosters a sense of belonging and symbolic identification, and engender social interaction and respect for the environment. It is what we might call the “biophilic spirit”; in other words, a sensitivity that does not unquestioningly embrace the theories of environmental determinism and points to the existence of a shared value system that can uphold a rich and sustainable urban life. As Goldhagen proposes, human experience, “including its nonconscious and conscious cognitions, is situated in three dimensions.”
These dimensions are the human body and the natural world, each of which is a product of evolution. The third dimension, the social world, is less tethered to the dictates of our biological evolution in physical bodies inhabiting a physical world. Humans are also decidedly social beings. The individual and social world that we inherit and create are strongly influenced by the places where our engagements and interactions transpire. Places situate us as individuals among others, and places help us become and sustain ourselves as members of the many overlapping social groups through which we live our lives.
The existence of a shared way of looking at the natural environment based on preferences that can be generalized certainly opens up a very exciting research field. The result of the focus groups seems to confirm that there exist spatial configurations, which in this case are characterized by the presence of elements of biophilic design, that carry their own specific meaning. These results admittedly confirm the theories on environmental preferences and the Attention Restoration Theory (ART) by Kaplan and Kaplan, according to which some characteristics of the environment determine preferences as a function of the individual’s need for rest and regeneration. Put differently, the results that come out of the research we have conducted tend to demonstrate the existence of landscapes, but also of indoor design objects or elements that influence the tastes, in the sense given by Bourdieu, and the reactions of individuals with nature and of individuals among them [
45,
68].
However, it does not seem possible to reduce the human–nature relation (even when it is seen through the lens of biophilic design) to a reaction that is strictly due to a stimulus or to a repetitive series of stimuli. Even though one can identify some convergence in the answers of the participants with regard to the biophilic environment, allowing us to confirm the existence of what we might define immediate and predictable attractions with reference to the surrounding space, these answers are not stereotypical or do not belong to a restricted set. In contrast, they express a variety of mindscapes that refer to the influence of the life lived by each individual, of culture, of the level of eco-literacy, of the sensory components, and of cognitive operations. In other words, places express meaning through our memories, our connections, and our dreams. The landscape is not only nature that reveals itself to the eyes of the individuals, but becomes a reality in the encounter between the external physical world and the ways in which people perceive it or imagine it, forever setting new boundaries that cancel the traditional opposition between nature and culture because they are characterized by continuous “trespassings” [
69,
70].
The results of the focus groups that took place within biophilic settings reflect a variety of values that survive in the contemporary city, despite the prevalence of an instability in the human–nature relation that is due to scientific and technological development and to human-based production processes [
71]. The contrast between the routine of daily life, mostly in office buildings, shopping malls, educational institutions or homes that are characterized by a separation from nature—also in terms of shapes and materials on the one hand, and the experience of biophilic settings on the other —clearly shows a situation of sensory deprivation, the repetitiveness, and homologation that characterize contemporary urban life. Biophilic design seems to trigger a stimulation of various senses in the participants, heightened attention in observing the surrounding space, a stronger inclination to social interaction, a wider presence of meanings and richness of information in the responses to external stimuli, and the possibility to define a different social identity. However, every individual expresses these values in different, but equally legitimate, ways because of the different influences of experience, education, beliefs, and culture.
In this context, the focus group results validate the idea of biophilic urbanism as an immediately available planning paradigm that can improve the quality of places and be used to engage city dwellers in activities to take care of and improve places. In other words, the spread within the city, through planning and design tools inspired by the biophilia hypotheses, of what at the moment we seem to be able to call “temporary places of escape” from the habitual urban living or refuges of intimacy and inwardness, as Mumford used to call them [
72,
73], can contribute to strengthening an environmental ethic, even though they seem to be founded on the premise of a personal interest in the quality of life and not on an altruistic tendency. In any case, they seem to produce a change of perspective and to represent a guide towards the promotion of a collective interest. This tool would integrate the ecological and protective functions with the social, recreational, and educational functions, and would raise the status of the human–nature relationship, for which, as things currently stand, a genuinely sustainable approach to urban planning still seems utopian.