Installations for Civic Culture: Behavioral Policy Interventions to Promote Social Sustainability
Abstract
:1. Introduction
1.1. Background: Literature Review and Context
1.1.1. The Social Sustainability Framework
- Equity. The set of social, economic, and environmental policies that promote justice and fairness across societies [21,22,23]. It aims to reduce inequalities to minimize the alienation of people from their livelihoods and increase motivated action toward mitigating environmental risks. Thus, it emphasizes the need for justice in society and the economy when pursuing sustainable policies that address the behavioral change of interest [9,24,25]. The impacts may be unevenly distributed across societies, so that resilience resources are also unequally distributed, meaning that not all individuals and groups have the same capacity to adapt to the changing needs [21,24,26]. This makes equity one the most salient features of social sustainability (intergenerational and intragenerational equity are two important features to ensure fair allocation of resources between and within generations [21,23]), with the hallmarks of redistribution, recognition and participation [26].
- Safety. Refers to protection, security and safety in situations of vulnerability around the behavioral change of interest. Such effects will have huge implications in societies through physical exposure, government institutions, technological development, social networks and their implications on the development paths across communities [11,27]. The capacity to safely adapt and mitigate the dangers of these situations varies across individuals and groups and especially across communities and neighborhoods [11].
- Sustainable Urban Forms. The contemporary design and planning of cites must be reconceptualized around sustainability processes as a consequence of the increasing urbanization of human societies. The redesign of physical and urban planning is needed to achieve social sustainable societies, mitigate environmental risks and enhance wellbeing in line with the requirements of our modern communities [11,28,29].
- Eco-prosumption. A reorganization of the modern modes of consumption and production practices to encompass more sustainable, eco-friendly and community-oriented practices. These initiatives aim to reduce social risks such as scarcity, exploitation and alienation [30,31]. This dimension stipulates that more complex, collaborative and responsible approaches of economic and social organization will reduce the risks of the negative consequences around the behavioral change of interest [11,32,33].
1.1.2. Installation Theory and Environmental Frameworks for Behavioral Change
1.1.3. Behavioral Change Techniques and Mechanisms
1.1.4. The Context: The Civic Culture Interventions of Antanas Mockus
2. Materials and Methods
- Mime-artist intervention: Data collection around the mime-artist intervention was originally used for a previous publication by Yamin et al. [12], and it included the following data-collection activities applied between 2017 and 2019:
- ○
- Press articles. The systematic collection of a total of 80 press articles from the main national newspaper in Colombia in terms of coverage and influence that describe the intervention. Online and printed articles spanning a 23-year period (1995–2018) were collected.
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- Citizen questionnaires. The application of questionnaires among 192 Bogota residents across city areas, age groups and socio-economic status. The questionnaires focused on the narratives that residents had around the perceived goals and characteristics of the interventions several years after it was applied.
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- Interviews with intervention designers. In-depth interviews to designers of the intervention.
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- BNJM intervention:
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- Interviews with intervention designers and implementers. Semi-structured in-depth interviews were conducted with the people in charge of designing, coordinating, and implementing the intervention around one year after the intervention ended. Five in-depth interviews were conducted in the summer of 2012 during fieldwork in Bogota and Barrancabermeja, Colombia.
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3. Results
3.1. Results: An Installation Theory View of Civic Culture Interventions
3.1.1. A Layered View of the Challenges
3.1.2. A Layered View of the Interventions
3.1.3. Behavioral and Change Models: The Civic Culture Approach
3.1.4. Physical/Material Determinants
3.1.5. Psychological/Individual Determinants
- Representations. As reported by the creators of the mime-artist intervention [12], an essential characteristic of civic culture interventions is taking a familiar, well-known cultural practice, role or object (the mime-artists, cards, whistles), and giving them a new meaning and use. Mime-artists now regulate traffic and pedestrians, and football cards and whistles now censor bad behavior in the streets or at home. This supposes an anchoring of the materials used in the interventions (such as the cards and whistles) with well-known roles and representations (here, the notion of arbitration as with referees in football, that must be respected even if the parties are opponents). It also entails an important shift in both the representations of the materials that make the intervention (mimes, cards, whistles), and also on the broader representations around our role as members of society (from passive actors to “vigilantes”, in this case). In previous research [12], we also identified how the understanding of the intervention’s goal and the use proposed for objects as elements that seem to be crucial to explain people’s engagement with interventions. The intervention, then, seems to try to reconfigure two levels of representations: specific ones linked to the intervention delivery methods, and general ones linked to civic life and the role of people in it.
- Skills. In addition to working on representations, both interventions also require some basic work on the skills people need to both react to problematic behaviors, and to use the objects (cards, whistles) that are provided to them. The above performances and further instructions seem to achieve this through demonstration (the mime artist continuously uses the card; invisible theatre actors continuously use the whistle).
- Emotions. Another powerful motivator in civic culture conceptualization are emotions. Fear of guilt or wanting to feel good about oneself, fear of shame, or wanting to be seen positively by others, are always included in civic culture interventions. According to Mockus, “Colombians fear ridicule more than punishments” [64]—an idea that also surfaces in narratives around the mime-artist intervention: “[…] here the mime-artist is mocking them [a truck driver] to make them feel bad so that they won’t do it again”.
3.1.6. Social/Institutional Determinants
3.1.7. Intersections: Power and Gender
3.1.8. Overview of Determinants
4. Discussion and Conclusions
Author Contributions
Funding
Institutional Review Board Statement
Informed Consent Statement
Data Availability Statement
Acknowledgments
Conflicts of Interest
References
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Delivery Method | Domains and Layers of Determinants (Lahlou [2]—Cislaghi & Heise [66]) | |||
---|---|---|---|---|
Physical/ Material | Psychological/ Individual | Social/ Institutional | Intersections | |
1. Mime-artist intervention Policy goal: Increase compliance with traffic norms to reduce the city-wide rate of deaths in traffic accidents Target behavior: Increase compliance with pedestrian “zebra” crossings among pedestrians and drivers | ||||
Mime-artists (seen in person and through the media) Civic card | Mime-artists Football cards | Reframing of representations around mime-artists and cards Reframing of representations on the role of citizens in civic life Demonstration of behaviors and ways to regulate others (linked to skills) Promotion of an embodied competence (skills) by facilitating practice of the vigilante role (specifically civic card) Mocking and congratulating participants (linked to emotions) Participants asked to participate during–after the intervention (linked to self- and group-efficacy) | Providing feedback and “feed-forward” on behaviors (mocking, congratulating, demonstrating) Promoting and supporting mutual regulation (“vigilante” role) Normative information: exposure to behaviors and opinions Unclear institutional or legal redesigns (but emphasis on law compliance) | Power: Intervention planned and applied by Mayor’s office, while citizens are conceptualized as victims or villains. Gender: Unclear in intervention |
2. “Because nothing justifies mistreatment” (BNJM) intervention Policy goal: Reduce city-wide domestic violence rate Target behavior: Violence acts that happen inside the household | ||||
Whistle against abuse Invisible theater interventions Visits of trained personnel to houses A program of professionalization for journalists The creation of cultural products The creation of a 24-h telephone line Marketing campaign (inc. zero-hour event) | Football whistle Actors in public places Personnel visiting houses Telephone line Marketing materials and events | Reframing representations on whistles and gender roles Demonstration of behaviors and ways to regulate others (linked to skills and emotions) Promotion of an embodied competence (skills) by facilitating practice of the vigilante role (specifically whistle) Training of journalists (linked to skills) Participants asked to participate during–after the intervention (linked to self- and group-efficacy) | Providing feedback and “feed-forward” on behaviors (including even home visits by others) Promoting and supporting mutual regulation (“vigilante” role) Communicating that domestic violence is no longer acceptable, and that seeking help when jealous is (normative information) Normative information: exposure to behaviors and opinions Unclear institutional or legal redesigns (but emphasis on law compliance) | Power: Intervention planned and applied by public oil company, local authorities, and NGO, while citizens are conceptualized as victims or villains. Gender: Aim to reframe gender relations and roles (against “macho” culture and violence as typical and expected reaction to jealousy) |
Delivery Method | Main Behavioral Change Techniques (Michie [50])—NonExhaustive | Modality (Yamin [34]) |
---|---|---|
1. Mime-artist intervention Policy goal: Increase compliance with traffic norms to reduce the city-wide rate of deaths in traffic accidents. Target behavior: Increase compliance with pedestrian “zebra” crossings among pedestrians and drivers | ||
Mime-artists (seen in person and through the media) | 2.2. Feedback on behavior 5.6. Information about emotional consequences 6.1. Demonstration of the behavior 6.2. Social comparison 7.1. Prompts/cues 8.1. Behavioral practice/rehearsal 10.4. Social reward 12.2. Restructuring the social environment | Situated (in the street) Remote (through media) |
Civic card | 2.2. Feedback on behavior (receive but also give) 3.1. Social support (unspecified) 8.1. Behavioral practice/rehearsal 12.2. Restructuring the social environment 12.5. Adding objects to the environment | |
2. “Because nothing justifies mistreatment” (BNJM) intervention Policy goal: Reduce city-wide domestic violence rate. Target behavior: Violence acts that happen inside the household | ||
Whistle against abuse | 2.2. Feedback on behavior (receive but also give) 7.1. Prompts/cues 12.5. Adding objects to the environment | Situated and remote (most actions, encompassing public and private spaces) |
Invisible theater interventions | 2.2. Feedback on behavior 3.1. Social support (unspecified) 5.6. Information about emotional consequences 6.3. Information about others’ approval 7.7. Exposure 8.1. Behavioral practice/rehearsal 15.1. Verbal persuasion about capability | |
Visits of trained personnel to houses | 2.2. Feedback on behavior 4.1. Instruction on how to perform the behavior: 4.3. Re-attribution 6.3. Information about others’ approval 8.2. Behavior substitution 13.2. Framing/reframing | |
A program of professionalization for journalists | 2.2. Feedback on behavior 4.1. Instruction on how to carry out the behavior. 8.1. Behavioral practice/rehearsal | |
The creation of cultural products | 5.2. Salience of consequences 6.3. Information about others’ approval 9.1. Credible source 13.2. Framing/reframing | |
The creation of a 24-h telephone line | 11.2. Reduce negative emotions. 13.2. Framing/reframing | |
Marketing campaign (inc. zero-hour event) | 4.1. Instruction on how to carry out the behavior. 5.2. Salience of consequences 6.3. Information about others’ approval 9.1. Credible source 13.2. Framing/reframing |
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Yamin, P.; Artavia-Mora, L.; Martunaite, B.; Lahiri, S. Installations for Civic Culture: Behavioral Policy Interventions to Promote Social Sustainability. Sustainability 2023, 15, 3825. https://doi.org/10.3390/su15043825
Yamin P, Artavia-Mora L, Martunaite B, Lahiri S. Installations for Civic Culture: Behavioral Policy Interventions to Promote Social Sustainability. Sustainability. 2023; 15(4):3825. https://doi.org/10.3390/su15043825
Chicago/Turabian StyleYamin, Paulius, Luis Artavia-Mora, Benita Martunaite, and Shaon Lahiri. 2023. "Installations for Civic Culture: Behavioral Policy Interventions to Promote Social Sustainability" Sustainability 15, no. 4: 3825. https://doi.org/10.3390/su15043825
APA StyleYamin, P., Artavia-Mora, L., Martunaite, B., & Lahiri, S. (2023). Installations for Civic Culture: Behavioral Policy Interventions to Promote Social Sustainability. Sustainability, 15(4), 3825. https://doi.org/10.3390/su15043825