The contributions provided by the ICT in Cultural Heritage sector range from the acquisition and analysis of data, the creation of the digital archives as far as cataloguing, and digital dissemination.
Since 1970 several collections have been “digitized” taking advantage of the usual photographic campaigns extended to digital format and similarly, later during late ‘90s it was operated for three-dimensional objects, such as statues, in order to constitute a reference copy of the sculptures exposed to environmental degradation. In the 1990s the diffusion of digital tools has opened new opportunities for enabling people to select the information contents desired and for recreating immersive and stimulating experiences related to cultural heritage complex.
Figure 3.
Technologies application on cultural heritage since 1970 (elaboration by the author).
Most recently, the focus of the discourse regarding the impacts of IT on CH has shifted from the mere digitization towards the creation of objects able to act as interactive analyses tools. In this scenario a development path emerges, leading to an ongoing convergence towards mobile platforms. This new platform is opening unprecedented opportunities for heritage institutions to provide customized interpretive facilities, thanks to a closer integration of different media and functions. Nowadays, researchers can access location-specific contents, tag the artworks, visualize suggestions for further research with other colleagues, or save resources for later analyses.
It is for this reasons the main topics explored by this research have been identified as follow:
3.1. Databases and Digital Archives
The cultural heritage can be represented using the most suitable technologies by for sure the real key to a revolution in this field is certainly the use of telematics networks for knowledge sharing. In fact, they provide access to a wider cultural heritage and thanks to search engines specially designed, you will have access to big data bases, not only with traditional searches but also for information such as images, templates, themes, etc.
The professionals, researchers and students can access information about the works, wherever it is stored, and compare them all similar works. In contrast to this potential, it is important to highlight today and even more in the near future, the abundance of data on the network generates pathological effects, including uncontrolled proliferation of references and lack of validity and reliability of the information transmitted [
10].
The set of data, paper documents, drawings, photos, is a source, which, if not properly structured, and cleaned up to remove redundant information, it could appear to be out of control both in terms of accessibility and verification of the information accuracy. Nowadays understanding architecture project and being able to reproduce them with digital technologies will also improve the conservation of design process (
Figure 4).
Figure 4.
Digitalization of original drawings by Oscar Niemeyer for the project “Casa das Canoas” by Oscar Niemeyer Foundation, Rio de Janeiro, Brazil. (Photo credit: Oscar Niemeyer Foundation).
Figure 4.
Digitalization of original drawings by Oscar Niemeyer for the project “Casa das Canoas” by Oscar Niemeyer Foundation, Rio de Janeiro, Brazil. (Photo credit: Oscar Niemeyer Foundation).
Actually, the preservation of the architectural projects by the masters is becoming nowadays a crucial point. Very often cultural foundations that manage the archives of the great architects of the 20th century are not always able to ensure an effective conservation because of lack of funds. The information system, consisting of sketches, drawings, images, maps needs thus to be understood and represented with all the features it brings, a set of elements linked by hierarchical relations in a sort of conceptualization of reality.
Youth researchers can play a key role in this process, as stressed by A.M. Ronchi about digital literacy “there is a need to channel the creative energies of young people by promoting digital literacy in the field on new ICT-enable or empowered creativity and expression. There is also a need to create a proactive environment that enhances the overall quality of eContent products. Digital and social divides must be bridged in order to provide access and added value to citizens. Digital technologies and ICT tools provide an incredible opportunity to encourage growth and prosperity. Digital content and services empowered by broadband communications, both wired and wireless, could have a significant impact on society. One of the first steps in this direction is to promote human networking and the exchange of experiences and skills amongst different groups and communities”, [
11].
3.2. Three-Dimensional Models
Past experiences have shown how the 3D integrated methodology is able to reveal new aspects of buildings and analyze spaces and surfaces by means of innovative methods that have allowed to track research paths completely unexplored and unpublished. The 3D environment allows to work with intelligent objects able to relate to each other, requiring a high level of specialization from the user, with a designer approach [
12]. The final output of this research highlighted a strong synergy between building management and valorization approaches through the workflow.
The use of drawings in order to carry out analytical reviews of the archival heritage of 20th century architectures in India and Brazil can reveal design experiences that reflect the different territorial contexts from which they emerged and the cultural forces behind them. The so called “survey of the project” was the adopted methodology: by analyzing and redrawing the original documents using innovative graphic layouts the research can highlight the potentials of these built heritage. The aspects taken into account in this phase describe the complexity of the study and the need of well-structured data. The process led to a very good understanding of the designer’s work by the interpretation of original drawings, scheme and pictures, that reveal the design process behind the construction. The deep knowledge of the buildings, carefully selected and analyzed with a precise methodology and representation techniques, had as outputs an exceptional variety of suggestions for further research paths and reinterpretations.
For instance the study of demolished modern buildings or the reconfiguration of different design hypothesis for the most important buildings of this period. The elaboration of digital models should thus operate through a careful planning and guided process in the field of BIM as for the case study of the Ramkrishna House in Ahmedabad the which gave to research team basic shared knowledge of the data harvested from the documentation analysis and helped to manage all information about the building (
Figure 5). The house, designed by Charles Correa, has parallel walls which form the backbone of its plan, a structure divided into 4 main zones: living areas, guest rooms with private garden, service area and bedrooms on the upper floors. Built between the 1960 and 1962 the house explores the ideas related to dwelling issues in India in strong relation with climate challenges.
Figure 5.
Ramkrishna House in Ahmedabad, India, by Charles Correa: original pictures (left side) and photo-realistic views (right side).
Figure 5.
Ramkrishna House in Ahmedabad, India, by Charles Correa: original pictures (left side) and photo-realistic views (right side).
The BIM model of this architecture has been created taking advantage of the documentation research on Charles Correa drawings. The picture of the original construction were thus utilized in order to study the materials framework. Beside being a strong base for spatial research and study by this model was also possible to create a virtual reality (VR) model. Software as V-Ray use a proprietary stereoscopic rendering camera to generate a 3D environment with existing Revit cameras, lighting and materials. With this environment it was so possible to generate photo-realistic images of the Correa project to give to the public a sense of what the house look like by creating a VR “map” of a building inside and out (
Figure 6).
Figure 6.
The methodology conceived on modern building in Brazil and India for the 3D database creation and related outputs (elaboration by the author).
Figure 6.
The methodology conceived on modern building in Brazil and India for the 3D database creation and related outputs (elaboration by the author).
3.3. Non-Contact and Low Cost Predicting Technologies
The FAU USP building, in Sao Paulo, Brazil, is a very good example of the importance of effective maintenance program on modern buildings [
13]. The complex designed by Vilanova Artigas was partially restored in its external concrete walls and roof’ shells, during the intervention campaign that (due to difficulties in obtaining funds) effectively began in 2012, and it was recently finished in February, 2015. The building during its life had to face basically the lack of a maintenance culture, especially regarding reinforced concrete buildings (
Figure 7). In fact, supporting the adoption of this material by Brazilian modernists was the belief that it was indestructible. The modern architects believed that reinforced concrete was capable of facing time and climate with little alteration, thus underestimated little problems that could be handled by daily maintenance developed into major damages to the building.
Figure 7.
FAU USP building, one of the façades before restoration in 2014.
Figure 7.
FAU USP building, one of the façades before restoration in 2014.
This has been especially damaging to buildings which are innovative both in its construction technique and its form, such as Vilanova Artigas Building. This attitude towards the building’s maintenance has contributed to the deterioration of the concrete surfaces, a phenomenon that is known today and is accelerated by the worsening of the environmental conditions. The constant treatment and protection of the exposed reinforced concrete structure, especially its vast and intricate roof and the façades, thus is essential. The last intervention in 2015 left many doubts concerning the quality of the choices that have been taken: particularly the filling material that was injected to repair the crack of the concrete façades seems to be non-consistent with the old material. (
Figure 8). This recent large scale intervention has great implications to the conservation plan that will be developed, hopefully, with the funds of this grant initiative. These interventions have, so far, been approached with little consideration to the building’s historic fabric.
As a result, past interventions, although respectful to the original design intent, have not followed a historic conservation methodology, often causing sacrifice of original fabric and application of treatments that are not compatible with conservation of historic significance, as is the case of the most recent façade concrete patching campaign
The building is currently in a good conservation state and adequate to its use. It is important to remind that even with the aforementioned problems faced during its 46 years of existence Vilanova Artigas Building has never stopped being fully used, even if without ideal conditions.
Following the needs identified by the FUSP Foundation the DIAPReM centre, at the Architecture Department of University of Ferrara has been identifying the proper methodology for the metric and diagnostics analysis of the building.
Figure 8.
FAU USP building, one of the external pillar before (left) and after (right) the heavy treatment in 2015.
Figure 8.
FAU USP building, one of the external pillar before (left) and after (right) the heavy treatment in 2015.
First, in order to keep the total cost lower it has been decide to limit the 2D survey to the 4 elevations that define the perimeter of the building of the Faculty of Architecture of the University of São Paulo (FAU USP). The façades have been then evaluated in their conformation by scanning the outer surfaces and concrete structural elements that define the perimeter of the building.
The identification of the areas of survey has been closely connected to the possibility of access (with or without time restrictions), to the anthropic context and compatible with permission of private or public property and in safe condition.
During on-site activities the survey vegetation and other natural or man-made non-removable obstacles were integral part of the survey in some case allowing only a partial assessment of the hidden surfaces. The survey was an integration of technologies and skills: a topographic survey by total station (by Leica TPS instrument type 1202) has been initially carried out in order to capture coordinates of target, and the generation of a local system reference.
After that a 3D Laser Scanner survey by time-of-flight equipment (by Leica type C10) has allowed the survey of the geometric detail of the surfaces and DEM (Digital Elevation Model).
In the meantime a photographic documentation (by Canon 650D) on the building has been implemented to describe the most important survey operations and areas that are most representative of the general state of conservation (
Figure 9). These data have then been used for the analysis of macroscopic morphologies of degradation affecting the surfaces. This diagnostic analyses was crucial to support the comprehensive picture of the state of conservation given the amount of material instability identified during the first days on site. The integrated methodology led to a geometric model of spatial coordinates hierarchically-defined and with a single reference system.
After the on field activities, back in laboratory, the DEMs were created and used as basis for editing CAD drawing of the façades.
Figure 9.
FAU USP building, surface analyses identifying main pathologies and materials alteration.
Figure 9.
FAU USP building, surface analyses identifying main pathologies and materials alteration.