Can We Model the Scenic Beauty of an Alpine Landscape?
Abstract
:1. Introduction
- (1)
- The more view zones are visible in a landscape, the greater is its scenic beauty.
- (2)
- The closer a landscape element is to the observer, the stronger its influence (negative or positive).
- (3)
- Perceptions vary between socio-demographic groups.
2. Methods
2.1. Study Sites
2.2. Questionnaire and Interviews
- Hypothesis 1: To analyze the influence of the depth of view, we created Series 1 by removing the landscape features related to the distance zones from the original picture (Figure 1). Series 2 was composed of different pictures with different view extents.Series 1. (depth of view): pic 1_1: all three distance zones; pic 1_2: near and middle zone. pic 1_3: all distance zones but without any elements in the near zone; pic 1_4: only near zone.Series 2. (depth of view): pic 2_1: dense forest with no vistas; pic 2_2: sparse forest with small vistas; pic 2_3: dense forest with a small clear cutting with vista; pic 2_4: vista above tree tops.
- Hypothesis 2: To verify the influence of specific landscape elements from literature, we used the picture Series 3–6 (Figure 1). Naturalness (Series 3 and 4), urban sprawl (Series 5), and landscape diversity (Series 6) may have a positive or negative influence on scenic beauty [9,26,27]. The picture of Series 3 was modified in the middle zone indicating different degrees of human influence. In Series 4, we used a landscape with and without a stream because water, one aspect for a natural environment, is highly preferred [26]. Series 5 represented different degrees of urban sprawl in the near and middle zones. Series 6 showed different landscape patterns in the middle zone.Series 3. (naturalness): pic 3_1: slope with widespread dense forest; pic 3_2: slope with dense forest and strong human influence; pic 3_3: slope with sparse forest; pic 3_4: slope with sparse forest and strong human influence.Series 4. (naturalness): pic 4_1: near-natural stream and riparian vegetation; pic 4_2: near-natural stream; pic 4_3: artificial stream course; pic 4_4: landscape without a stream course.Series 5. (urban sprawl): pic 5_1: large human settlements and ski tourism (17% of the picture); pic 5_2: large human settlements (14% of the picture); pic 5_3: actual situation (7% settlements of the picture); pic 5_4: only isolated buildings (3% of the picture).Series 6. (landscape diversity in the valley floor): pic 6_1: diverse land use; pic 6_2: prevalent grassland landscape with many structural elements; pic 6_3: prevalent grassland landscape with a few structural elements; pic 6_4: prevalent grassland landscape without any structural elements.
Origin (N = 253) | Gender (N = 253) | Age (N = 253) | Cultural background-Tourists ( N = 125) | |||||
---|---|---|---|---|---|---|---|---|
Locals | Tourists | Female | Male | < 30 | 30–60 | > 60 | German | Italian |
128 | 125 | 135 | 118 | 73 | 127 | 53 | 64 | 61 |
2.3. Statistical Analyses
3. Results
3.1. Modeling Scenic Beauty and Sensitivity Analyses
3.1.1. Distance Weighting Factor
3.1.2. Landscape Composition Factors
Picture number | Distance weighting factor | Landscape composition factors | Scenic beauty | |||||
---|---|---|---|---|---|---|---|---|
Visible distance zones | Z | C | Pc | Dc | S7 | W | ||
1_1 | Z(n) + Z(m) + Z(f) | 1.0 | urban sprawl = negative (-1) | 0.01 | 2 | 4 | 1.98 | |
2_2 | Z(n) + Z(f) | 0.78 | neutral (0) | 0 | 2 | 3 | 1.56 | |
3_3 | Z(n) | 0.64 | neutral (0) | 0 | 2 | 3 | 1.28 | |
4_2 | Z(n) + Z(m) | 0.86 | water = positive (+1) | 0.2 | 3 | 5 | 3.18 | |
5_3 | Z(m) | 0.22 | urban sprawl = negative (-1) | 0.07 | 3 | 2 | 0.45 | |
6_3 | Z(n) + Z(m) | 0.86 | urban sprawl = negative (-1) | 0.02 | 3 | 4 | 2.52 |
3.2. Viewing Human Impact
Origin (N = 253) | Gender (N = 253) | Age (N = 253) | Cultural background-tourists (N = 125) | ||||||
---|---|---|---|---|---|---|---|---|---|
Picture | Locals | Tourists | Female | Male | < 30 years | 30–60 years | > 60 years | German | Italian |
1_1 | 4 | 3 | 3 | 4 | 4 | 3 | 3 | 4a | 3b |
1_2 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 |
1_3 | 1 | 2 | 1 | 1 | 2 | 2 | 1 | 1a | 2b |
1_4 | 2 | 2 | 2 | 2 | 2 | 2 | 2 | 2 | 2 |
2_1 | 1a | 1b | 1a | 1b | 1 | 1 | 1 | 1a | 2b |
2_2 | 3a | 2b | 3 | 2 | 3 | 2 | 3 | 2 | 2 |
2_3 | 3 | 4 | 4 | 3 | 4 | 3 | 4 | 4 | 3 |
2_4 | 3 | 3 | 3 | 3 | 3a | 3a | 2b | 3a | 3b |
3_1 | 2a | 2b | 2 | 2 | 2 | 2 | 2 | 2a | 2b |
3_2 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 3 |
3_3 | 3a | 3b | 3 | 3 | 3 | 3 | 3 | 2a | 2b |
3_4 | 2 | 1 | 1 | 1 | 1a | 1a | 2b | 1 | 1 |
4_1 | 4 | 4 | 4 | 4 | 4 | 4 | 4 | 4 | 4 |
4_2 | 3 | 3 | 3 | 3 | 3 | 3 | 3 | 2a | 2b |
4_3 | 2 | 2 | 2 | 2 | 2a | 2b | 2 | 3a | 3b |
4_4 | 2a | 1b | 1 | 1 | 1 | 1 | 2 | 1 | 1 |
5_1 | 1a | 2b | 1 | 1 | 1a | 1a | 2b | 1a | 2b |
5_2 | 2 | 2 | 2 | 2 | 2 | 2 | 2 | 2 | 2 |
5_3 | 3a | 3b | 3 | 3 | 3a | 3a | 3b | 3 | 3 |
5_4 | 4a | 3b | 3 | 4 | 3 | 4 | 3 | 3 | 3 |
6_1 | 1 | 1 | 1 | 1 | 1a | 1a | 1b | 1 | 1 |
6_2 | 2 | 2 | 3 | 2 | 3 | 2 | 3 | 2 | 2 |
6_3 | 3a | 3b | 3a | 3b | 3a | 3b | 3c | 3a | 3b |
6_4 | 2 | 3 | 2 | 3 | 2 | 3 | 3 | 2 | 3 |
4. Discussion
4.1. Influence of View Zones and Distance
4.2. Influence of Group Differences
4.3. Limitations of the Method
5. Conclusions
- (1)
- Distance zones have an important influence on how humans recognize and understand a landscape. Landscape elements in the near zone have the most influence on scenic beauty. In terms of view depth, pictures with all three distance zones are voted best. Considering processes like reforestation in Alpine landscapes, the effect of long-distance views should be taken into account and the aspects of vistas should be included into regional planning.
- (2)
- Naturalness and diversity of structural elements have a positive influence whereas artificial elements are judged negatively, especially if they are in the near zone. Political decision makers should keep in mind that landscape changes towards more homogenous landscapes are perceived negatively. Future governance structures should therefore support the conservation of the cultural landscape.
- (3)
- Particularly locals are closely connected to the cultural landscape and find landscape changes problematic. Tourists seem more open to landscapes changes with reforestation or human elements. Regional planning should respect the perceptions of the local population to assure the quality of life for the inhabitants and, at the same time, account for perception of scenic beauty of tourists to support an economic growth of the region.
Acknowledgments
Conflict of Interest
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Schirpke, U.; Hölzler, S.; Leitinger, G.; Bacher, M.; Tappeiner, U.; Tasser, E. Can We Model the Scenic Beauty of an Alpine Landscape? Sustainability 2013, 5, 1080-1094. https://doi.org/10.3390/su5031080
Schirpke U, Hölzler S, Leitinger G, Bacher M, Tappeiner U, Tasser E. Can We Model the Scenic Beauty of an Alpine Landscape? Sustainability. 2013; 5(3):1080-1094. https://doi.org/10.3390/su5031080
Chicago/Turabian StyleSchirpke, Uta, Sonja Hölzler, Georg Leitinger, Maria Bacher, Ulrike Tappeiner, and Erich Tasser. 2013. "Can We Model the Scenic Beauty of an Alpine Landscape?" Sustainability 5, no. 3: 1080-1094. https://doi.org/10.3390/su5031080
APA StyleSchirpke, U., Hölzler, S., Leitinger, G., Bacher, M., Tappeiner, U., & Tasser, E. (2013). Can We Model the Scenic Beauty of an Alpine Landscape? Sustainability, 5(3), 1080-1094. https://doi.org/10.3390/su5031080