1.1. On Subjectivity
We can isolate the first locus of corroboration on the topic of subjectivity. Posthumanists criticize anthropocentric conceptions of subjectivity. Wolfe, for example, urges that a genuinely posthumanist concept of subjectivity cannot give privilege to the human (
Wolfe 2010, p. 90). Posthumanists seek to destabilize rhetorical structures policing categorical separations and hierarchies between humans and nonhumans. For Wolfe, there is no unitary subject underlying experience because “we are always radically other … in our subjection to and constitution in the materiality and technicity of a language that is always on the scene before we are, as a precondition of our subjectivity” (
Wolfe 2010, p. 89). A posthumanist account of subjectivity dislodges it from “transcendental reason” and bases it in “the immanence of relations” (
Braidotti 2013, p. 82). The “Human” is not an exceptional transcendent category (
Braidotti 2013, p. 66). Posthumanism rejects individualism and any metaphysics that could ground it (
Braidotti 2013, p. 49). Posthumanism, instead, involves the recognition “that none of us are actually distinct from each other” and this affects the way we treat each other because “to harm anything is to harm oneself” (
Pepperell 2003, p. 172). As Braidotti writes, “there is a direct connection between monism, the unity of all living matter and postanthopocentrism as a general frame of reference for contemporary subjectivity” (
Braidotti 2013, p. 57). The critical posthuman subject is relational, constituted in and by multiplicity, working across differences as well as internally differentiated, “but still grounded and accountable” (
Braidotti 2013, p. 49). The subject is not an “it,” but a “relational process” (
Braidotti 2013, p. 41). These are two sides of the same coin: the critique of the reified and isolated subject of experience and the replacement of this with a dynamic and emergent interdependence. Thus, subjectivity is not exclusively human; there are, in other words, nonhuman subjects.
As with most Continental poststructuralism and antihumanism, this seems patently Buddhist without knowing it. The doctrine of “anatman,” for example, challenges naivete about essential selfhood (see
Harvey 2009, p. 269;
Strong 2002, p. 97). This is extended to its radical limits through the notion of shunyata or the emptiness of all things as self-subsistent or independent things (see
Nagarjuna 1995). Instead, the definitive characteristic of reality is pratitya-samutpada or interdependent emergence—where what we ignorantly take to be independently existing subjects and objects are really emergent features of a more fundamental and dynamic relationality (see
Thich 2007). Matsumoto Shirō, a leading representative of “Critical Buddhism,” tirelessly asserts that dependent arising is the distinctively Buddhist insight and the measure of all authentic Buddhist thought (
Matsumoto 1997, p. 166). My point here is merely that posthumanists can find allies in Buddhism as well as sophisticated ontologies of interdependence that have been given over two millennia of thought on which to ground posthumanist notions of subjectivity.
Additionally, there are interesting—perhaps more interesting insofar as “Buddhism” is in part a construction of nineteenth-century European philology (see
Masuzawa 2005)—parallels in Zhuangzi. Zhuangzi criticizes Confucius and other social theorists of the time for promoting an anthropocentric conception of humanity (
ren) that separates humanity from the rest of nature (see
Fingarette 1972;
Hecht 2003;
Hershock 2005). When humans operate under the aegis of this notion, we alter our “inborn nature” (
Zhuangzi 2009, p. 59), mutilating ourselves and other things to fit our egocentric ends (
Zhuangzi 2009, p. 62). A tamer, for instance, destroys horses by “breaking” them. For Zhuangzi, however, it is not just that we
should not give privilege to humans over nonhumans, but also that it is impossible for us to do so since it is mere hubris to believe we know what we are doing or what is good for ourselves or others (
Zhuangzi 2009, pp. 17–21; see also
Huang 2010;
Nelson 2014). Consider Zhuangzi’s parable of Lady Li, “Lady Li was the daughter of a board guard at Ai. At the time when the state of Jin took her, she wept so much that her dress was drenched with tears. However, by the time she got to the palace, shared the square couch with the king, and ate meat, she started to regret that she ever cried” (
Zhuangzi 2009, 2:103). Our efforts to understand are instrumental and expedient, and we compile trouble rather than alleviate it—we develop knowledge of rifles to keep safe from tigers, but then we end up shooting each other. There is no “transcendental” position of human subjectivity because this is just one more among other perspectives; there can be no absolute “right” because there is no “non-perspective” from which to view the whole (see
Zhuangzi 2009, p. 103). Simply put, there is no Archimedean point by which humans can transcend their perspectives. By definition, one perspective is only such by virtue of limits exposed by alternative perspectives juxtaposed with it. For Zhuangzi, eels need damp places to live; monkeys prefer trees (
Zhuangzi 2009, 2:91–93). Pride and envy corrupt our abilities to accept and affirm differences. Zhuangzi illustrates envy with the following: “The unipede envied the millipede, the millipede envied the snake, the snake envied the wind, the wind envied the eye, and the eye envied the mind…” (p. 73). Each explains to the other that their abilities are nothing special but that they have no idea how they do what they do except that they follow the way or “Heavenly Impulse.” Humans take pride in our own form and preferences, but it is mere coincidence and circumstance (
Zhuangzi 2009, p. 43). Thus, human perspectives are merely different but equal perspectives (see
Huang 2010) in the unfolding cacophony of subjectivities. There is, ultimately, no essential self as human selves are construed in anthropocentric conceptions (see
Loy 1996, p. 58). Moreover, an underlying energy, or qi, unfolds into an interdependent reality coordinated by yin and yang (see
Yearley 1996, pp. 161–62). One of Zhuangzi’s many caricatures of the dao is the “Great Clump,” a furnace of transformations of all that is—we will return to this below (see
Zhuangzi 2009, pp. 43–46). In sum, contemporary Western posthumanists can find corroboration in Zhuangzi (and Buddhism) for the critique of anthropocentric notions of humanity and subjectivity.
1.2. On Flourishing
We can isolate the second point of corroboration on the topic of flourishing. Posthumanist approaches to flourishing rest on what Braidotti calls “the ethics of becoming” that includes a panhuman cosmopolitan and trans-species bond (
Braidotti 2013, pp. 49–53). As Irigaray emphasizes, cultural symbols are mere idols if they do not support natural growth and becoming (
Irigaray 2002, pp. 144–48). This is not a progression toward some transcendent state of perfection, but an ever-renewing blossoming. Anthropocentric concepts of “nature” and “culture” occlude this. Nature is usually treated as that which grows by itself, while culture is treated as where we make things (
Irigaray 2002, pp. 112–25). Blossoming requires both making and letting be, a program that pursues thinking of our body as part of a “nature-culture” continuum and active opposition to the “spurious efficiency and ruthless opportunism of advanced capitalism” (
Braidotti 2013, p. 92). The posthumanist approach “posits the ontological priority of difference and its self-transforming force,” particularly as this is rooted in a notion of the body as a “complex assemblage of virtualities” (
Braidotti 2013, p. 99). Crucial for a posthuman ethics is awareness of the specific affected body that one happens to be, where one’s death is virtual, as a generative capacity facilitating transformation (
Braidotti 2013, p. 138). Posthuman politics emphasizes “transversaility,” or interconnection, with an ethics “based on the primacy of the relation, of interdependence, which values nonhuman or a-personal Life” (
Braidotti 2013, p. 95). Braidotti uses the Greek term “zoe” to name that “dynamic, self-organizing structure of life itself,” or, in other words, a “generative vitality” (
Braidotti 2013, p. 60). Politically, this involves resistance against nationalism, xenophobia, and racism, which produce stagnant sedimentation (
Braidotti 2013, p. 53). Strategically, it is not about the subversion of norms through developing and performing alternative identities, but through utter dislocations of identity by queering “standardized patterns of sexualized, racialized and naturalized interaction” (
Braidotti 2013, p. 99). Postcolonial informed queer theory and queer phenomenology help destabilize any naïve or essentialist approaches to identity politics, binary hierarchies, and discursive practices themselves (see
Ahmed 2006;
Puar 2013). Braidotti welcomes such displacements of norms with glee (p. 75) and expresses admiration for critical efforts to experiment with language in such a way that it “shocks established habits” and “deliberately provokes imaginative and emotional reactions” (
Braidotti 2013, p. 87). The posthuman subject of such ethics is marked by “interdependence with its environment through a structure of mutual flows …” (
Braidotti 2013, p. 139). What displaces the exploitative and necro-political pulls of advanced capitalism is the poetry and “potency of zoe” (
Braidotti 2013, p. 141).
I want to note three parallels here in Zhuangzi. First, Zhuangzi develops a notion of the “consummate human being” or “sage” as acting in wu-wei, in comportment with the dao. Wu wei involves resisting exertion or contrived control, where we can be at ease in our following things through or following along with things (
Wenzel 2003, p. 119). The dao is often represented as a river, inclusive of the natural tendencies of things (
Slingerland 2004, p. 334). The consummate person is unfettered in the great work of “doing nothing”, in particular, in taking action without taking credit, in helping things grow without control (
Zhuangzi 2009, p. 47). The consummate human being entrusts each individual thing to its own course, seeing all as fitting. When forced fitting is forgotten, there is a perfect fit (
Zhuangzi 2009, p. 81). In such an ethic, one refrains from imposing artificial ideals on others, respecting others by letting them be (
Huang 2010). Zhuangzi illustrates this with the masterful work of Cook Ding, a butcher who never sharpens a knife: “What I love is the Course … I depend on [Spontaneous] perforations and strike larger gaps, following along with the broader hollows. I go by how they already are, playing them as they lay …” (
Zhuangzi 2009, p. 22). Second, Zhuangzi promotes a radical commitment to transformation. Zhuangzi illustrates this through a parable about a character named Ziyu falling ill: “Ziyu said [to his friend], ‘How great is the Creator of Things, making me all tangled up like this!’ For his chin was tucked into his navel, his shoulders towered over the crown of his head, his ponytail pointed toward the sky, his five internal organs at the top of him, his thigh bones taking the place of his ribs, and his yin yang energies in chaos. But his mind was relaxed and unbothered … ‘Wow!’ he said. ‘The Creator of Things has really gone and tangled me up!’” (
Zhuangzi 2009, p. 45). A friend asked him if he liked it, and Ziyu responds, “What is there to dislike? Perhaps he will transform my left arm into a rooster … Perhaps he will transform my right arm into a crossbow pellet … Perhaps he will transform my ass into wheels and my spirit into a horse …” (
Zhuangzi 2009, p. 45). What Ziyu symbolizes is a radical acceptance of any and all transformations. Third, Zhuangzi relishes playful creativity with words. As Zhuangzi asks, “Where can I find [one] who has forgotten words, so I can have a few words with [them]?” (
Zhuangzi 2009, p. 114). Polemical debates are just the sound of wind, for Zhuangzi (
Zhuangzi 2009, p. 20); whereas Zhuangzi’s own words are designed to bewilder (
Zhuangzi 2009, p. 74). Zhuangzi does not promote nihilistic jibber jabber, but a mode of discourse structured by wu wei, a purposeless discourse like spontaneous dialogues (
Zhuangzi 2009, p. 66). Numerous characters in the outer chapters of
The Zhuangzi say things such as “Trying to understand Zhuangzi’s words is like a mosquito trying to carry a mountain on its back, or an inchworm trying to cross the sea” (p. 75). This brings us to the political payoff of Zhuangzi in challenging the ruthless profiteering of advanced capitalism. Zhuangzi advances a position of resistance to any and all forms of utilitarian value. Zhuangzi illustrates this with the ability of a knotted tree to survive a carpenter looking for the “perfect” tree (
Zhuangzi 2009, p. 31). The carpenters perceive the knotted tree as worthless, whereas other trees face the trouble of axes and saws from being worth something. Zhuangzi affirms the usefulness of uselessness, something which neoliberal advanced capitalism cannot even conceive.
I have been deliberately emphasizing human-centered parables and imagery from Zhuangzi. This is because Zhuangzi, like posthumanists, challenges what “human” even means. However, consider this non-anthropocentric image that foregoes reference to humans. The character Prince Mou relays a story about a frog conversing with a sea turtle about its liberty and fulfillment in a well, with the frog inviting the turtle into its well to get the same fulfillment. As the turtle tried to enter, its foot got stuck in the opening, and shared with the frog the vastness and fulfillment it finds in the ocean (pp. 74–75).
Perhaps an even more radical affirmation of linguistic creativity is classical Chan encounter dialogues and the Zen ethic of adaptive responsiveness stemming from them (see
Hershock 2005). These encounter episodes illustrate masters responding to student questions with counterquestions, dismissals, puns, and even strikes and blows. Awakening in this framework is not a transcendent subjective experience, but a cultivated state of interactive genius and spontaneous improvisation. The radical character of Chan should not be overlooked. Consider this sermon excerpt from the classical master, Linji: “Followers of the Way, if you want insight into dharma as it is, just don’t be taken in by the deluded views of others. Whatever you encounter, either within or without, slay it at once. On meeting a buddha slay the buddha, on meeting a patriarch slay the patriarch, on meeting an arhat slay the arhat, on meeting your parents slay your parents, on meeting your kinsman slay your kinsman, and you attain emancipation. By not cleaving to things, you freely pass through” (
Linji 2009, 22/236). If you meet what you presuppose is “human,” slay it—this anthropocentric projection—at once. Given constraints, however, I will leave it at this brief mention and turn instead to note what appears to be covert orientalism and methodological narrowness in posthumanist theory as developed so far.