The Dead in Vernacular Magic Practices among Bosniaks
Abstract
:1. Introduction
2. The Agency of the Dead
3. Moral Framework for Behavior towards the Dead
First narrative:
I17: You know what? My mother told me, that a woman took … that all her pearls had been stolen. She then took soil from a grave. In the evening a woman arrived from the other world. She shook the whole house. When the door opened, she was all burning in fire. […] She looked like she had got extremely hot. She [the dead woman] says: ‘You should thank God that I am a Dobra [lit. “Good woman”, evlija].8 […] I had to travel through fire. [The woman who summoned her:] ‘If you are a Dobra, how come you are burning?’ [The dead woman]: ‘I split up a man and his wife.’ She said that she had worn ten, nine shirts on her journey from Hell, and that she would never be released from it, that she would always remain in Hell. And that the dead know everything that is going on here [in the world of the living].
F: But why did the deceased come when this woman took soil from a grave?
I1: To come to her, to show her [where the pearls were].
F: Oh, so this deceased woman knew where the stolen items were?
I1: Yes, they [the dead] know everything that is going on here! Yes, and then, she [the dead woman] said, she says: ‘They stole your pearls, big ones.’ I don’t know how many strings of pearls. She says: ‘There,’ she says, ‘in the ashes in the stove, the crow took it up to the nest.’ And it really did. [mimicking the dead woman]: ‘We know everything that’s going on here!’(34)
Second narrative:
A woman came up to my mother, she was all over the place, she was totally scared. My mother poured out fear9 for her. I was just sitting on the bench, waiting, while she was talking to my mother. She said she had nearly gone crazy. She said that someone had stolen all her bedclothes while she was taking care of the livestock. All the bed linen was stolen. It was nowhere to be found. She was poor, what could she do? She was alone, unmarried. And there she was […] She says: ‘I went to the graveyard by the mosque and took some soil. I took soil and brought it home and put it on the windowsill in the kitchen. And I start to pray akšam.10 And I go to my room and pray jacija.11 Then a banging sound starts. When I look around, I see a woman sitting. Right under the window, a woman. I ask: Where did you come from, woman? [The dead:] You know. [I:] I don’t know. [She:] How do you not know, when you took my soil?! I’m from the other world. [I:] When did you die? How did you come to this world? [She:] Seventy years here is seventy minutes there. A minute there is a year here! She said that in the other world they know everything. And she [the dead woman] told her that such and such man was the one who stole from her. There it is [the stolen linen], in a cradle. In the morning, she says, when this man goes to work, you go to his place. His wife is there and when she goes to bring water from the well to make you a coffee, you search for the cradle and take your linen back. Everything was as she said, it was the way she said it would be.’ That woman, if it hadn’t been for my mother, who poured fear for her, she would have died from fear. […]
F: So, the deceased woman arrived because that woman took some soil from her grave. And then …?
I1: Then you put the soil in a cloth. And you put a pinch of soil in its place. And you take it home. And the dead immediately follow. They were seen coming from a hole [in a grave].
F: And what do they look like, coming out?
I1: Well, just like me and you. […] They [the dead] were asked about it. And they said that their body decays, but a new one comes. Dear God gives them the same body as the one that they had while alive. And he gives them a soul. This is an invisible body. That’s what they say, that’s what I heard. […]
F: Could you yourself do it [i.e., summon the dead]?
I1: One is not allowed to.
F: But some people would do that, nonetheless?
I1: Yes, some would. That’s not allowed. You are not allowed to. What is, is.12(34, I1)
Third narrative:
I1: There is one case that people know about. I knew this one, he is dead now. His oxen were gone. Do you know what oxen are? They were gone. No one noticed them, no one saw them, neither where they were nor … He goes to a hodja.13 The hodja says: You will find them.—But where?—Two months have passed [since they disappeared]. The dead person needs to be summoned from the otherworld! Not everyone is allowed to do that, and they have to be trained! And he went and took soil from the grave. Soil and something else, I don’t know what. And put it under his head. At home. He goes to sleep. And then, at some point during the night [he hears the dead person speaking]: ‘Give back what you took, don’t bother me! Your oxen are here and here. Don’t bother me!’ His wife was sleeping beside him, his son was there, his daughter, but nobody heard anything. Only he heard it. He couldn’t sleep anymore […]. In the morning, he woke up totally soaked. He went there [where the dead told him his oxen would be], with another man. And in the mountains, he found the oxen.
F: And where was that?
I1: That was close to A., it happened here in L., but the oxen were found near A. […]
F: So, when he put the soil from a grave under the pillow, the dead person from that grave came to tell him where the oxen were?
I1: He was told. Where the oxen were, where he would find them. And then he went back and put that [soil] back, and returned it to the grave, to the graveyard. He found the oxen and brought them back. […] The one who came to tell him was a Dobri [lit. Good man, evlija].
F: But why did he take the soil from the grave?
I1: So that the deceased comes to you. […] He came because of the soil. To ask him to give back what is his. We are told that one is not allowed to walk over graves.
F: So that’s how one can summon the dead, if one takes soil from a grave?
I1: Well, that’s power. Power!(33)
The soil is the property of the person who lies there. You are not allowed to bring anything from the cemetery, common!(MM041, I3)
I1: Don’t take anything from the cemetery, why would you need it?
F: Would there be any consequences if you did?
I1: There wouldn’t be any, but the haram is huge! You would dream something, something would come to you in dreams.(14)
I: And there is one man, I know him, he is still alive, he went to that graveyard, and took wine that was left there, wine, I guess, that’s what they say … And he took [smiles] that bottle, drank it and took it home. And it came to him, it came to him at night saying that he had to return it: ‘Where is my wine? It must be returned to where it was!’ [imitating the dead person]. He got so frightened that he couldn’t fall asleep until … He had to immediately return it [the bottle of wine] to where it used to be! This means that you can only drink it there, by the grave. And not take anything away!
F: Was it the dead person who came after him?
I: That dead person, of course. But he [the man] didn’t see it [the dead person] at all. He just heard it [laughs loudly].(108)
I1: One of my neighbours, and her brother, they went to school. And on their way they took flowers from a graveyard. […] When they came home, it [the dead person] immediately came after them. They almost died of fright. And the dead requested that they return those flowers. It came to the house, saying: ‘If you don’t return them, I will strangle you all!’ And their father had to go down [to the graveyard] at night—what a hole where it ascended from was there! And he went down and brought [the flowers back]. In the evening. Their father. That’s what they told me. Ah, I laughed. Yes. And there was … rattling, rattling, the door opens, the whole house shakes [when the dead person arrives].
F: So, when you take something from a grave, the dead person comes after you and tells you to return it?
I1: Yes, yes. They come. Indeed!(34)
I2: There was a story … [pause, stuttering] How did it go? Someone took … was it eggs? … from a Serbian graveyard … Was it on Easter? How does it go …? Well, someone took something, there was meat. Well, that’s the story, when we were children, that’s what they used to tell us. Well, someone took that from grave. And, they say, that the dead came in the evening, saying [quietly]: ‘Give me my meat!’ [laughs]
I1: It freaks you out.
I2: ‘Give me my meat!’ [quietly, imitating the dead]. And this one person shouts [loudly]: ‘I won’t!’ Well, that’s what we remembered.(27)
They had wood up there, in the cemetery, that is. So, they chopped it down, cleaned it up and said to me: Take it! I wanted to haul wood. They said: Here, take it, you can use it for heating in the spring. But when I entered the cemetery, I got a strange feeling and ran away. Nobody said anything to me, I had permission to take the wood …(27, I2)
4. (Mis)Use of the Dead
“To make the house haunt and tremble, it is done like this: if someone goes to the cemetery in the middle of the night and takes soil from a grave, puts it in a hole drilled with a drill in the centre or in a beam in the attic of a house under construction and then closes it well with a plug, every night at the time the soil was taken out, the dead person would come and walk around the house and push or shake the house to get that soil again.”(Dragičević 1908, p. 460; from Vlasenica)
I1: If someone drives a nail from the graveyard into the house … everything deteriorates, it can never progress …
I2: There is no progress in anything, there is no health, that’s it …
F: Do you know someone to whom that happened?
I1: Well, it was me. […]
I2: When we, the immigrants, when we started to build the house, a board from a grave was nailed to our house. We didn’t know …
F: Do you know who did it?
I2: Well, now … you can’t …
I1: If I knew, I would kill him!
F: But how do you know that …?
I2: Because I went to a certain woman to help me and she immediately told me at which side of the house the board was nailed, where it was brought from and everything.
F: And did it have any consequences for you? […]
I1: Everything goes wrong, it doesn’t go the way you thought it would, it goes in the opposite direction.
F: What specifically happened to you?
I1: Disease, immediately disease …
F: And then when you went to see this woman?
I2: I went to that woman’s house to get help. She told us what it was and why and from what and where. We removed it [the board], took it out …
F: And was it better then?
I2: Then it started getting a little better.(11)
I1: You know what, you know what I heard? I heard that when someone wants to harm you … When you are working and they want to disturb your work, they would go to the graveyard, take some soil, and throw it over your house.
I2: And also bury it in front of the house.
I1: For the whole year you would have to work like a horse, and you could only sleep, nothing else.
F: But how could taking soil from the cemetery cause this?
I1: Well, what do I know, well, nature has it, nature has its own power, everything has its own … When we believe in everything! […] They say they are coming after you, they request that their soil be given back.
F: The dead come to request the soil back?
I1: Indeed, [they come] to get their soil back.(37)
5. Conclusions
Funding
Institutional Review Board Statement
Informed Consent Statement
Data Availability Statement
Conflicts of Interest
1 | The term “Bosniaks” implies a wider category, including people who may not be Muslim believers but are culturally Muslims (see Duranović 2021, p. 12). |
2 | This seems to be specially often a case in Scandinavia (see Klintberg 2010, M81–85; Jauhiainen 1998, D301, D311, D321, D331, D341, D351, D361; Siikala 2002, p. 219; Gunnell 2012). |
3 | There are several practices in the Balkans that in this or another way imply communication with the dead. Neagota (2014) writes about communication with the dead in Romania through trance. Likewise rusalia/rusalje ritual sometimes imply communication with the dead (see, for instance, Litsas 1976; Ivkov-Džigurski et al. 2012), as does treasure hunting (see Greenfield 1988). Communication with fairies who incorporated characteristics of the dead (see Pócs 1989, pp. 13, 16–18; 2017) was also common in the Balkans. I would like to thank to Éva Pócs for drawing my attention to these practices and helped with the literature. |
4 | Emilijan Lilek, Slovenian “antiquarian” who worked as a teacher in Sarajevo from 1883–1902 and published extensively on “folk beliefs” and rituals in Bosnia and Herzegovina, among others also tackled the so-called Todtenorakel (lit. ‘the oracle of the dead’). According to Lilek, the practice of summoning the dead, aimed at discovering a thief, took place by the grave of a known deceased in the dead of night, and involved a formulaic incantation by which the summoner called the dead person by their name and begged them to reveal who stole their property. This is how he describes the practice: “If something is stolen from a man or a woman, then this man or this woman goes to some known grave in the dead of night (i.e., around 9 or 10 o’clock in the evening). Arriving at the grave, they call the dead [person] by their name and conjure them by [saying] something like this: ‘By the God who created and destroyed you, you are my brother, by God! Please tell me who stole my thing.’ After that, they return home without looking back. When they get home, they immediately go to sleep. The summoned dead man comes to them in [their] dreams and says: ‘Why do you conjure me like that and rattle my bones? Your thing was stolen by this and this person’”. |
5 | The Christian Church had positioned itself firmly against necromancy by the 4th century AD. The influential Christian philosopher Augustine (354–430 CE) rejected the existence of ghosts and argued that “good revelations” in necromantic practices come from the angels, whereas malignant ones come from the demons (Morton 2020, pp. 49–50, 56, 59). By the 13th century, reaching its peak in the West in the 15th century, necromancy was viewed as an illusion, evoked by the demons and the Devil; the summoned dead were identified as demons, and necromancers—together with other magic specialists—as witches, believed to be working with the Devil (Jolly 2002, p. 59). |
6 | All names are pseudonyms. |
7 | I in the interviews indicates an Interlocutor, and F the folklorist, i.e., the author. The number in the brackets after the interviews refers to the number of the interview (and the interlocutor, if there were several interviewed simultaneously). |
8 | From the Arabic waliyya, a sort of Muslim “saint” (cf. Bejtić 1982; Bringa 1995, p. 174). It seems contradictory, however, that an evlija would dwell in a hell, which seems to be the place where she comes from, according to the narrative. As in vernacular Islamic practices, evlijas serve as mediators between the living and God, as well as the dead (Bringa 1995, pp. 171–77; Schimmel 2001, pp. 105–6; Rosen 2002, p. 76; Softić 2002, p. 120; Burkhalter 2004, p. 724; Mittermeier 2011, pp. 161–62), evlija may have replaced the “normal” dead to solve the problem of the “return” of the dead in official Islam. Moreover, their extraordinary abilities, beyond those of ordinary mortals, such as clairvoyance (during their lifetime), and their (post-mortem) ability to move from one place to another (Softić 2002, pp. 126, 133, 145), may be additional reasons for evlijas to figure in the narratives, insofar as they demonstrate the very same abilities. Nonetheless, the rather widespread legends about evlijas among the Bosnian Muslims in central Bosnia never refer to a Dobri or Dobra being summoned to provide information about missing property. Instead, they worship their impeccable life, strictly subordinated to Islamic faith and values, and emphasise their ability to punish or reward people’s behaviour (cf. Softić 2002, pp. 126–27). |
9 | A practice called salijevanje strave (lit. “the pouring/casting (out) of fear/horror”), carried out in particular when someone gets frightened, is nervous, etc. (cf. Ugljen 1893; Grđić-Bjelokosić 1896, pp. 151–52; Filipović 1949, p. 218). |
10 | Aksham is the time of the fourth daily prayer for Muslims, at sunset, when people are believed to be most vulnerable to the attacks of otherworldly beings. |
11 | A Muslim prayer which one prays until sunrise, but may start any time after sunset, i.e., aksham. |
12 | The text has been lightly edited as the narration was somewhat unintelligible; it has also been shortened and a series of sentences partly reordered for clarity. |
13 | Muslim cleric, imam. |
14 | Although Bourguignon writes that myths, legends and literary works on necromancy seldom provide information on actual techniques that may have been employed in certain communities (Bourguignon 2005, p. 6451), incantation as a technique of summoning the dead seems to have continuously appeared in various accounts of necromancy over time and in different places, from the first millennium BC Babilon, to the Greek Magical Papyri from Egypt, to literary texts, such as Lucan’s Pharsalia, Lucian’s Menippus: A Necromantic Experiment, Johann Georg Faust’s The Threefold Coercion of Hell, up to famous Renaissance necromancers John Dee and Edward Keeley from 16–17th c. (Morton 2020, pp. 21, 24–25, 37–40, 68, 74–75). |
15 | An Arabic term meaning impermissible, forbidden or unlawful. |
16 | Dreams is probably the most common channel of communication between the living and the dead, not only in Bosnia and Herzegovina, but cross-culturally (cf. Danforth and Tsiaras 1982, p. 135; Goldey 1983, p. 6; Geary 1994, p. 90; Astuti 2007, pp. 301–4). In Islam, sleep is considered a “small death” (Ruthven [2000] 2003, p. 51) and dreams “bridges of communication between this world and the hereafter” (M. e. H. El-Gazali 1998, pp. 43–48, 56; Mabrouk 2001, pp. 11–13; Mittermeier 2011, pp. 149–150; Sariyannis 2013, pp. 191–192, 211). As el-Aswad writes, “[d]reams themselves are signs of the unseen world in which the soul can penetrate and transform dramatic events into symbols that affect them mentally and emotionally.” (el-Aswad 2002, p. 90) Indeed, in vernacular notions in Bosnia, “apparitions” of the dead in dreams are considered a typical sign that the rules of conduct have been violated. |
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Mencej, M. The Dead in Vernacular Magic Practices among Bosniaks. Religions 2024, 15, 605. https://doi.org/10.3390/rel15050605
Mencej M. The Dead in Vernacular Magic Practices among Bosniaks. Religions. 2024; 15(5):605. https://doi.org/10.3390/rel15050605
Chicago/Turabian StyleMencej, Mirjam. 2024. "The Dead in Vernacular Magic Practices among Bosniaks" Religions 15, no. 5: 605. https://doi.org/10.3390/rel15050605
APA StyleMencej, M. (2024). The Dead in Vernacular Magic Practices among Bosniaks. Religions, 15(5), 605. https://doi.org/10.3390/rel15050605