The God Who Is Visible to All: Healing and Sun Worship in Śrīvidyā Tantra
Abstract
:1. Introduction
2. Lalitāmbikā: A Short History of the Temple
3. Śrīvidyā Cosmology: Śrīcakra, Mantra, and Solar Powers
3.1. The Goddess and Her Representations
3.2. Śrīcakra, the Sacred Correspondences, and How to Understand the Root of Disease
3.3. Solar Healing and Lunar Energies
3.4. To See and Experience the Sun God: Gāyatrī and Solar Healing according to Samayācāra Śrīvidyā
3.5. Sun Gazing: The Healing Practices at Lalitāmbikā
Later, when you leave the temple to carry on with your lives, when doing the meditation in the morning sit facing east and in the evening facing west. Do it every day, or if that’s not possible, at least on Sunday morning at sunrise. When you go for a stroll on a day with a nice weather give thanks to the sun for the warmth and good mood, for it is through the sun that God’s mercy is manifested. You can give praise to the sun in your mind—just say oṃ mitrāya namaḥ.47
3.6. The Sun, Time, and Timelessness
3.7. With the Sun as My Witness: Glimpses of the Life of the Goddess Devotees
4. Concluding Remarks
Funding
Data Availability Statement
Acknowledgments
Conflicts of Interest
1 | See, for example, Lidke (2017, p. 17) on Tantra as a “dominant social and cultural force” that has shaped the entire Nepalese culture. |
2 | The tantric nondual traditions appeal to all genders to unite spiritually with the divine, which is represented on the one hand by the maternal goddess but is ultimately an all-encompassing consciousness, iconographically represented by the image of the union of Śiva and Śakti. Similarly, Kakar (1982, p. 163) suggests that, from a psychoanalytic perspective, Tantra promises the male “adept that he can retain his masculinity and yet recapture the ānanda [bliss] of his early femininity”. |
3 | P. Sauthoff (2023) notes that the famous mystic, philosopher, and tantra expert Abhinavagupta does not mention the role of tantric medical treatment in his major work, Tantrāloka. However, the earlier treatises Bhūta, Bāla, and Gāruḍa Tantras, written mainly in the sixth century, prescribe various tantric treatments using mantras and alchemical potions. Slouber (2016, pp. 8–9) explains that the Bhūtatantras focused on exorcisms, the Bālatantras prescribed cures for childhood diseases, and in the Gāruḍatantras, we find the treatment of snake bites and antidotes for various poisons. |
4 | |
5 | E.M. Fisher (2017, p. 78) notes that the term “samaya” is used in the works of Lolla Lakṣmīdhara (e.g., in his commentary on Saundaryalaharī) as an antithesis to kaula. In this context, the Śrīvidyā of the Kaula path accepts the ritual use of antinomian substances such as the infamous pañcamakāras (5M), while the Samaya Śrīvidyā focuses on internal ritualism and the purity of ritual observances in accordance with the ritual observances in accordance with the norms of orthodox Vaidika views. |
6 | Similarly, Kachroo (2016, p. 4) shows how contemporary Śrīvidyā “gurus and their maṇḍalīs (ritual groups or communities) in South India have re-evaluated the meaning and exposure of their sacred texts, associations, and practices in order to […] promote Śrīvidyā as a form of what [she] call[s] public esotericism”. |
7 | As Linder (2019, p. 248) explains, “The Goddess Tripurā is conceived as ultimate Reality both metaphysically and soteriologically. She personifies the Energy permeating the supreme Consciousness (cicchakti), an energy consisting in an illuminating, manifesting power (prakāśātmikā), endowed with a free, playful will (svatantrā cidvilāsinī). With respect to Śiva, who is luminous Consciousness, or conscious Light, the Goddess represents the active, reflective awareness of the self, i.e., the vimarśa”. |
8 | A parallel could be drawn with Sūryanamaskāra (the ‘sun salutation’), which forms a fundamental part of modern yoga practices. Sūryanamaskāra was not considered part of traditional yoga and is a more recent addition from the twentieth century. Nevertheless, it has been studied and researched for its health benefits (Venkatesh and Vandhana 2022). |
9 | |
10 | Swami Jagadatmananda Saraswati has given his consent to the information conveyed in this article. However, throughout the text, I have changed the names of other Tantric practitioners to ensure their privacy. |
11 | Bhāskararāya (1690–1785), a tantric master from Maharashtra, has remained one of the most important figures among scholars and practitioners of both the tantric and Vedic traditions. In fact, Śrīvidyā adepts worship guru lineages (guru-maṇḍala, paramparā, or paṅkti) and, in particular, three categories of gurus: guru (the adept’s own teacher who initiated them), parama guru (guru’s guru), and parameṣṭhi guru (parama guru’s guru). During rituals, meditations, and mantra practice, all these gurus are worshipped (visualized in the Śrīcakra or on the head). As a nondual tradition, Śrīvidyā teaches that gurus are indeed divine, and there is no ontological difference between a guru and the goddess. She is therefore called guru-maṇḍala-rūpiṇī, the embodiment of the guru lineage. |
12 | In his study of Hanuman, Lutgendorf (2007, p. 388) observes that the appeal of many modern Tantric cults in India “is rooted in the modern middle class desire for a ‘quick fix’ for worldly problems”. |
13 | In fact, many contemporary Śrīvidyā traditions share the origin stories of a particular paramparā (guru lineage), which often emphasize that the present teacher had been in contact with other realms (i.e., that he received dreams or visions from deities or deceased masters that led him to adopt a particular practice or modify the existing ritualism). See, e.g., Karasinski (2023) and Bowden (2017). |
14 | Altglas (2014, p. 15) observes that, in the global New Age movements, “popularized Hindu-based (…) teachings are de-linked from their original religious and cultural frameworks to reach a non-Hindu (…) audience”. On the other hand, Frøystad (2019, p. 141) suggests that Hinduism should be seen as “one of the mothers of the New Age movement”. However, she also notes that, due to globalization and transnational migration, among other things, “Western New Age impulses increasingly began to find their way back to India, where they encountered a society in rapid transition”. |
15 | The tradition remains open to everyone while, at the same time, retaining the tantric initiation system that requires adepts to go through the stages of practice supervised by the guru. The mantras can only be given by the guru, and the details of the practice should not be disclosed without his permission. Swami admitted that he received threats from some tantric practitioners when he decided to teach the tradition to all interested seekers. According to him, the threats were not empty. After a visit from an angry tantric master, the Swami was bedridden and diagnosed as cursed by astrologers. It was only after many fire sacrifices that he finally recovered. |
16 | Olivelle (2011, p. 75) also indicates that food in ancient India “is not only the central element of creation; it is also said to be the source of immortality. In the dining ritual, for example, food is called amṛta (the immortal or ambrosia)”. |
17 | I was also told that the English word “love”, featuring prominently in the temple pamphlets, is used in this context as a synonym of bhakti, otherwise translated as devotion. Tantric texts such as the Nityāṣoḍaśikārṇava (pp. 4–5) divide bhakti into lower and higher forms. The first type is characterized by the performance of rituals and meditations on various forms of God (saguna); the second, Supreme Devotion, is characterized by a special kind of love (anurāga) that arises from this practice and goes beyond a single form of God, as it is a love of person who realizes the omnipresence of the Divine. As Swami explained: “Even the worship of God (Īśvara) varies as there are many forms of the Divine, such as Sūrya Gaṇeśa, Viṣṇu, Rudra, Paraśiva, and Śakti. The divine energy (Śakti) also manifests in infinite forms such as Chhāyā, Vallabhā, Lakṣmī, and others. Therefore, there are many stages of devotion, and after countless births one experiences the devotion (gauṇabhakti) towards Tripurasundarī. Those who are firmly established in the worship of Tripurasundarī are caught up by the supreme devotion (parabhakti)”. |
18 | I am also grateful to Swami for sharing with me his unpublished notes on rituals and goddesses and drafts of his conference papers on the philosophy and practice of Śrīvidyā. |
19 | As Beck (1995, p. 138) explains, “’The moon’s parallelism with the 15 vowels taken collectively is derived from the fact that the moon has 15 phases (tithi) during each fortnight, the 16th phase being transcendental and unchanging’. The mantra has also been made to accord with the words of the Vedic Gāyatrī-Mantra in Tripurā-tāpani-Upanişad”. |
20 | mūlādhāre mūlavidyāṃ vidyutkoṭisamaprabhām | sūryakoṭipratīkāśāṃ candrakoṭidravāṃ priye || 3-1 || In a section on internal ritual (antaryāgavidhi), the Jñānārṇavatantram (2007) asks an adept to contemplate the main mantra in his mūlādhāra cakra. It is shining like thousands of lightning bolts, having the light of thousands of suns and splendor of thousands of moons (All translations from Sanskrit are mine, unless explicitly stated otherwise). |
21 | In the Setubandha commentary to verse 125 of the Nityāṣoḍaśikārṇavatantra (1946), Bhāskararāya explains that the name Tripurā also refers to the power of the mantra of the goddess, explaining “This mantra (vidyā), when contemplated or chanted, allows one to control the three worlds. Since control over the three worlds is [usually] attributed to Paraśiva, [it can be said that] chanting this vidyā leads to the state of Paraśiva”. |
22 | Many sacred images in India were made of a five-metal alloy called pañcaloha. Ślaczka et al. (2019, p. 20) indicate that some texts mention gold, silver, copper, and brass as components of pañcaloha, adding that there also “appears to be no textual basis for ritual addition of small amounts of precious metals, although this is a documented practice in modern-day workshops producing temple bronzes: small amounts of gold and silver are added to the main alloy of copper, brass and lead to make a pañcaloha”. |
23 | It should also be remembered that Śrīvidyā texts proclaim the ontological identity of śrīcakra and the main mantra of the goddess, indicating that the different parts of the cakra are in fact created out of the potent phonemes of the mantra (vidyā) (Padoux 2013, pp. 82–83). |
24 | In the Tantric traditions, the subtle body generally occupies an important place in understanding and working with the connections between the physical plane and the plane of mind or consciousness. The term “subtle body” is used to refer to the human energy matrix that functions within the gross physical body. Biernacki (2023, p. 71) observes that the subtle body as described in Tantric texts of medieval India “is not particularly consonant with popular new-age versions of the subtle body, with their color-coded cakras pointing the way to spiritual enlightenment”. In fact it “also operates as a mechanism for the kinds of magical powers, siddhis, that populate Indian religious traditions and are entailed in this religiously shared Indian cosmology”. |
25 | In fact, the consecrated yantras in the Śrīvidyā tradition are also prescribed in some texts for the healing of humans and animals. Kamalānāmnī tripurasundarīpaddhati (n.d.) (verse 41a) points out that yantras are prepared for a particular patient indicating their birthday and the astrological conditions of that day and then are consecrated through chanting mantras and rituals (pūjā), so it can act as a healing instrument. Interestingly, such a yantra pacifies all disease (sarvarogaśāntiḥ), removes interference from spirits and other spiritual beings (bhūtādyupadravaparihāro), and even eliminates disease from animals such as elephants or horses (gajāśvādiroga). |
26 | As White (2006, p. 3) notes, “Here [in the Caraka Saṃhitā], the links between the human body and the universe, between microcosm and macrocosm (or ecocosm), operate on the level of homology: the sun in the heavens is like the sun within the yogic body”. |
27 | In his Saubhāgyabhāskara commentary on Lalitāsahasranāma (1935: 110, verse 140), Bhāskararāya quotes Reṇukāpurāṇa, where the goddess of Śrīvidyā is described as the protector of suṣumṇā: iḍaikāsya mahākālī mahālakṣmīstu piṅgalā /ekavīrā suṣumṇeyamevaṁ sandhyātrayātmikā // (Lalitāsahasranāma). |
28 | Meditation on śrīcakra can be seen as a contemplation and journey into a labyrinth. Ripinsky-Naxon (1993, p. 35), in his study of shamanism, mentions shamanic practices involving spiritual journeys with the help of mandalas aimed at reconstructing the missing part of the labyrinth. In the shamanic culture of the Melanesian Island of Malekula, in particular, “the secret of the labyrinth holds the secret to perpetual cosmic existence, and the female spirit is a surviving manifestation of the Mother-Goddess of birth, death, and rebirth” (1993, p. 35). As Timalsina (2012, p. 32) notes, on an ethnographic level, the Tantric perspective establishes a link between the “Shamanic paradigm of the living cosmos populated by spirits and the exegetical systems of South Asia, while on an epistemic and phenomenological level, it helps us understand self-experience in light of the lived-body”. |
29 | According to Śrīvidyā practitioners, the ultimate nondualism implies that we can only see ourselves and not a multitude of beings. However, due to ignorance, we are more willing to accept the idea of the “other”. Fear, anger, and other sufferings arise from the idea of the “other” (Saraswati 2013, p. 14). |
30 | The ritual worship of Śrīcakra in Śrīvidyā differs in detail according to the lineage of the particular teacher, but it generally involves the preparation of the sāmānyārghya (ordinary offering) and viseṣārghya (special offering) through the invocation of various deities and kalās (digits of the fire, sun, and moon). The two arghyas are the most important offerings in the Śrīcakra rite. The specific divine śaktis, sages, and siddhis (powers) are invoked and worshipped in the Śrīcakra and honored with tarpaṇa (oblations). |
31 | During my stay at Lalitāmbikā for one of the tantric training programs, I shared a room with two of the Swami’s other disciples, Rakesh and Akash. As the days were filled with learning ritual practices and studying texts, we usually ended the day sitting and chatting on the floor of the dormitory, where our sleeping bags were. The daily spiritual practices and experiences were our usual topic of conversation. Rakesh was a young goddess devotee from North India who also worked as a handyman and driver in various organizations associated with the temple. One evening, as we were talking near the end of the day, Rakesh complained of his chronic back pain. Akash, a loquacious Tamil in his forties who had studied with Swami for years, pointed to the Divine as the source of healing. “The Mother is the Truth, and when we approach the Truth, we are in the process of healing”, he said, referring to Swami’s speech from the previous day. Rakesh listened for a moment and then admitted that he had a drinking problem. What hurt him even more than his alcohol-affected liver was the fact that he hid his addiction from others. “That [this secret] is the heavy stone that weighs on me”, he finally said with a sigh, as we turned out the lights. He admitted that he felt a sense of relief when he told us about his problem and that the back pain no longer plagued him as much. |
32 | Yoginīhṛdaya’s Dīpikā commentary (1.86) (Yoginīhṛdaya 2024) explains that the goddess is the liberator from all diseases that have their origin in thoughts (vikalparūparoga) and misunderstanding about the nature of reality. Therefore, meditation on the sarvarogahara cakra brings healing through the realization of nonduality (abhedapratītihetutvāt). |
33 | This recalls Kakar’s (1991) observation about the role of modern gurus in Indian society, who are increasingly becoming healers “of emotional suffering and its somatic manifestations. This psychotherapeutic function, insufficiently acknowledged, is clearly visible in well-known modern gurus whose fame depends on their reported healing capabilities, rather than deriving from any mastery of traditional scriptures, philosophical knowledge, of even great spiritual attainments” (p. 45). |
34 | Tripurasuṃdarīsahasranāmastotram (2024) (verse 17ba) praises the goddess as the healer of various diseases; she is the one who drives away (roga-ghrī) and alleviates (roga-śamanī) disease but also removes the suffering caused by serious illness (mahāroga-svarāpahā). |
35 | Śrīvidyā practitioners believe that healing requires concentration of the mind and visionary meditation, and while the Śrīcakra is one of the tools that help in meditative practices, another indispensable tool is the mantra. In my conversation with the Swami, he quoted from Vedāntic philosophy to explain the importance of mantras: “The verse anāvṛttiḥ śabdāt means “liberation by sound” [Śrīmad-Bhāgavatam 3.26.32]. The entire material manifestation began from sound, and sound can also end material entanglement, if it has a particular potency. The special sound capable of doing this is the transcendental vibration of the Śrīvidyā mantra, which is the unified combination of cosmic sounds based on the three major seed letters aiṃ, hrīṃ, śrīṃ. Aiṃ is the sound of auspicious wisdom, which is eternal; hrīṃ is the healing energy; and śrīṃ is the [blessing of the] material world”. |
36 | The tradition preaches the ultimate spiritual identity of the goddess and guru. Similarly, Kakar (2009) quotes a yogi mystic, Swami Muktananda, who taught his disciples that the mind that always contemplates on the guru eventually becomes the guru. In other words, meditation on the divine form of one’s guru immerses one in the state of the guru (gurutva). Kakar discusses the quote in the context of healing: when a disciple (patient) ingests blessed food (prasada) that the guru (healer) has tasted or uses the water used by the guru for their ablutions, it dissolves their self-boundaries and accelerates the process of merging with the guru for the purpose of healing and transformation. |
37 | Padma (2013, pp. 61–62) mentions the use of auspicious signs, symbols of the sun and moon, as representations of the goddess in local art forms in India. It may be added that, although Śrīvidyā is a nondualistic system, multiple gods and goddesses are mentioned in the texts of the traditions. They are regarded as manifestations of the one divine consciousness—the goddess Tripurasundarī. |
38 | In her study of Catholic saints, Mayblin (2014, p. S279) notes that saints are venerated because they are “people like us” but also “not like us”. Like us, they die, but unlike us, their bodies do not decay. Like us, saints can be anatomically male or female, but unlike the average person, they remain gender-neutral or gender-ambivalent in many hagiographic stories. They are neither strictly male nor strictly female, neither too close nor too far from us—and that is why saints endure. Similarly, tantric adepts and mystics in modern India espouse the concept of the nonduality of the world but, in many ways, maintain a balance between closeness to and distance from ordinary people. Many emphasize in their biographies that they led successful lives before their spiritual awakening and stress their understanding of life in its many shades. At the same time, they claim the special status of gurus, healers, and mystics who receive insights from the divine in times of challenge and are guided by spiritual direction. Healers are able to heal others, but their bodies are not immune to disease. Nevertheless, they find comfort in the closeness of the divine or in the loving connection with the world they perceive. |
39 | He was apparently referring to stanza I.iv.2; see Olivelle (1998, pp. 46–47). |
40 | “Om bhur, bhuva, sva,/tat savitur varenyam /bhargo devasya dhlmahi/dhiyo yo nah pracodayat”. This can be loosely translated as “Om, earth, atmosphere, and sky. May we contemplate the desirable radiance of the god Savitṛ [Sun]; may he impel our thoughts” Flood (1996, p. 222). |
41 | |
42 | The goddess Tripurasundarī is praised in a popular eulogy, Lalitā triśatī (nāma 177), as Hāhā Hūhū mukha stutyā, the one who is worshipped by the divine musicians (Gandharva) called Hāhā and Hūhū, who praise the sun with their songs. |
43 | This calls to mind the Indo-European people’s belief in Father Sky, the most powerful deity in the pantheon, who watches over all that humans do, using his “eye of the sun” by day and the stars by night (Oberlies 2023, p. 35). Sick (2004, p. 436) also notes, “The Sun also acts as informant of the gods in the Vedas. The sun god Sūrya is called the eye of Mitra, whose function seems to be related to the enforcement of contracts, truths, and right action, although many of these functions have been usurped by his dvandva partner Varuṇa. Thus, Mitra-Varuṇa use Sūrya’s powers of perception in their disciplining of contract breakers”. |
44 | “In Yāska’s Nirukta, a treatise on the semantic exegesis of a collection of Vedic words including hundreds para-etymologies, the word ṛṣi is derived from the root dṛś- ‘to see’ (II.11 ṛṣir darśanāt), and thus, traditionally, this word denotes ‘a seer’. It is, however, better to derive the word ṛṣi from the root ṛṣ-, ‘to rush’, and thus, it may be taken in the sense of ‘the one who rushes forward’, i.e., ‘a leader’, or ‘an intellectual leader’” (Thite 2024, p. 3). |
45 | Bhāskararāya’s commentary) on verse 175 of Laxman (1935, p. 162) includes the following verse: “Through the sun’s path, by traveling along the path of light and similar routes, one reaches the realm of truth where that supreme being (consciousness), Brahma, exists” (sūryadvāreṇetyasya sūryopalakṣite’rcirādimārgeṇa gatvā yatra satyaloke sa puruṣo brahma vartate tatra yāntītyarthāt). |
46 | In fact, some tantric scriptures teach that, when nondual awareness is acknowledged as fire, the oblation into fire can be performed mentally (Timalsina 2007, p. 158). |
47 | Mitra refers to one of the names for the sun in Hinduism. In the Vedas, the sun is referred to as “Mitra’s eye”, and this Mitra is described as “thousand-eared, ten-thousand-eyed”, the constant watcher (Oberlies 2023, p. 55). |
48 | It is tempting to compare this statement with Thomas Berry’s observation that, with the gradual destruction of the natural world, people have lost touch with the natural order of things and have consequently forgotten “the great spiritual import of these moments of transition”. “The dawn [for instance] is mystical, a very special moment for the human to experience the wonder and depth of fulfillment in the sacred” (Jensen 2008, p. 43). |
49 | A reference to the middle ground can be found in the instructions for meditation in the tantric scriptures. The Vijñāna-bhairava teaches that a seeker of ultimate reality should focus neither on pleasure nor on pain but on the middle ground between the two (Joo 2007, p. 132). |
50 | Traditional sandhyāvandanam of the upper castes consists of the ritual recitation of the Vedas. These rituals are performed three times a day: in the morning (prātassaṃdhyā), at noon (mādhyāhnika), and in the evening (sāyaṃsaṃdhyā). In reference to the Brahmins in Kerala, Pati (2014, p. 207) states that they traditionally perform sandhyāvandanam “three times a day—morning during brahma muhūrtam, the ambrosial hour before sunrise, at noon and dusk; but nowadays, due to changing lifestyle, they perform twice a day—at dawn and dusk”. |
51 | The term is usually translated as premature death. The Svacchanda Tantra devotes a chapter to kālamṛtyujaya, the victory over death and time, and Kashmiri Śaiva philosopher Kṣemarāja defines kālamṛtyu as a kind of state that a yogi can attain: a state of union with the divine (P.J.P. Sauthoff 2019). Similarly, a Śrīvidyā text, Śrīvidyārṇavatantra (1947), explains that the one who makes offerings to the goddess in the form of curd, honey, and milk is never afflicted by disease and untimely death: atha dadhimadhukṣīramiśrāṁllājān maheśvari / hutvā na bādhyate rogaiḥ kālamṛtyuyamādibhiḥ // 33 //, chapter 5 |
52 | prāṇāyāmena yuktena sarvarogakṣayo bhavet | ayuktābhyāsayogena sarvarogasamudbhavaḥ || 6–3 || śrīvidyārṇavatantram If one combines [rituals] with breath control, they will be protected from all diseases; if one separates the practice [from breath control], the diseases will accumulate. |
53 | Interestingly, in the Vedas, the sun is the observer but also the prize to be won by the gods. To “win the sun”—a recurring topos in the Rgveda hymns—also means to breathe fresh “vitality” (vājá) into the cosmos as the new year commences (Oberlies 2023, p. 15). |
54 | As Gough (2021, p. 46) noted, a tantric initiation is generally considered to be different from an ascetic initiation. The vow of celibacy is not required, and mantra practices, not asceticism, are the main tools for destroying karma and attaining liberation. |
55 | This is reminiscent of Catherine Bell’s (1997, p. 82) description of ritual agents who “do not see how they have created the environment that is impressing itself on them but assume, simply in how things are done, that forces beyond the immediate situation are shaping the environment and its activities in fundamental ways”. |
56 | Chinnaiyan (2022) points out that the Kāmakalā Vilāsa, an important Śrīvidyā text composed by Śrī Punyānanda Nātha, uses the image of the sun to demonstrate the power of the fusion of Śiva-Śakti. According to the text, the sun is indeed the face of the devī, and the fire and the moon are her breasts. |
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Karasinski, M. The God Who Is Visible to All: Healing and Sun Worship in Śrīvidyā Tantra. Religions 2024, 15, 900. https://doi.org/10.3390/rel15080900
Karasinski M. The God Who Is Visible to All: Healing and Sun Worship in Śrīvidyā Tantra. Religions. 2024; 15(8):900. https://doi.org/10.3390/rel15080900
Chicago/Turabian StyleKarasinski, Maciej. 2024. "The God Who Is Visible to All: Healing and Sun Worship in Śrīvidyā Tantra" Religions 15, no. 8: 900. https://doi.org/10.3390/rel15080900
APA StyleKarasinski, M. (2024). The God Who Is Visible to All: Healing and Sun Worship in Śrīvidyā Tantra. Religions, 15(8), 900. https://doi.org/10.3390/rel15080900