Climate Change and Sustaining Heritage Resources: A Framework for Boosting Cultural and Natural Heritage Conservation in Central Italy
Abstract
:1. Introduction
2. Research Design
2.1. Materials and Methods
2.2. Study Area
3. Analysis and Results
3.1. Landscape as a Cultural Heritage
3.2. Approaches for Cultural Landscape
3.3. Climate Change Impacts in Central Italy
4. Discussion
5. Conclusions
Author Contributions
Funding
Acknowledgments
Conflicts of Interest
References
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Pr. | World Heritage Site | Year of Inscription | Category of Inscription |
---|---|---|---|
Tuscany | 1. Piazza del Duomo, Pisa | 1987 | (i)(ii)(iv)(vi) |
2. Medici Villas and Gardens | 2013 | (ii)(iv)(vi) | |
3. Historic Centre of Florence | 1982 | (i)(ii)(iii)(iv)(vi) | |
4. Historic Centre of San Gimignano | 1990 | (i)(iii)(iv) | |
5. Historic Centre of Siena | 1995 | (i)(ii)(iv) | |
6. Historic Centre of Pienza | 1996 | (i)(ii)(iv) | |
7. Val d’Orcia | 2004 | (iv)(vi) | |
Marche | 8. Historic Centre of Urbino | 1998 | (ii), (iv) |
Umbria | 9. Assisi, the Basilica of San Francesco and Other Franciscan Sites | 2000 | (i), (ii), (iii), (iv), (vi) |
Lazio | 10. Etruscan Necropolises of Cerveteri and Tarquinia | 2004 | (i)(iii)(iv) |
11. Villa d’Este | 2001 | (i)(ii)(iii)(iv)(vi) | |
12. Villa Adriana | 1999 | (i)(ii)(iii) | |
13. Historic Centre of Rome | 1980 | (i)(ii)(iii)(iv)(vi) |
Type | Criteria | Definition |
---|---|---|
Cultural | (i) | to represent a masterpiece of human creative genius |
(ii) | to exhibit an important interchange of human values, over a span of time or within a cultural area of the world, on developments in architecture or technology, monumental arts, town-planning or landscape design | |
(iii) | to bear a unique or at least exceptional testimony to a cultural tradition or to a civilization which is living or which has disappeared | |
(iv) | to be an outstanding example of a type of building, architectural or technological ensemble or landscape which illustrates (a) significant stage(s) in human history | |
(v) | to be an outstanding example of a traditional human settlement, land-use, or sea-use which is representative of a culture (or cultures), or human interaction with the environment especially when it has become vulnerable under the impact of irreversible change | |
Natural | (vi) | To be directly or tangibly associated with events or living traditions, with ideas, or with beliefs, with artistic and literary works of outstanding universal significance. |
(vii) | to contain superlative natural phenomena or areas of exceptional natural beauty and aesthetic importance | |
(viii) | to be outstanding examples representing major stages of earth’s history, including the record of life, significant on-going geological processes in the development of landforms, or significant geomorphic or physiographic features | |
(ix) | to be outstanding examples representing significant on-going ecological and biological processes in the evolution and development of terrestrial, fresh water, coastal and marine ecosystems and communities of plants and animals | |
(x) | to contain the most important and significant natural habitats for in situ conservation of biological diversity, including those containing threatened species of Outstanding Universal Value from the point of view of science or conservation |
Cat. | Type of Cultural Landscape | Definition |
(i) | Clearly defined | Designed and created intentionally by man. This embraces garden and parkland landscapes characteristically constructed for aesthetic, social and recreational reasons which are often associated with religious or other monumental buildings and ensembles |
(ii) | Organically evolved | Fall into two sub-categories. First, a relict landscape is one in which an evolutionary process came to an end at some time in the past. Second, is one which retains an active social role in contemporary society closely associated with a traditional way of life. |
(iii) | Associative cultural | Landscapes with definable powerful, religious, artistic, or cultural associations with the natural element rather than material cultural evidence. |
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Shirvani Dastgerdi, A.; Sargolini, M.; Broussard Allred, S.; Chatrchyan, A.; De Luca, G. Climate Change and Sustaining Heritage Resources: A Framework for Boosting Cultural and Natural Heritage Conservation in Central Italy. Climate 2020, 8, 26. https://doi.org/10.3390/cli8020026
Shirvani Dastgerdi A, Sargolini M, Broussard Allred S, Chatrchyan A, De Luca G. Climate Change and Sustaining Heritage Resources: A Framework for Boosting Cultural and Natural Heritage Conservation in Central Italy. Climate. 2020; 8(2):26. https://doi.org/10.3390/cli8020026
Chicago/Turabian StyleShirvani Dastgerdi, Ahmadreza, Massimo Sargolini, Shorna Broussard Allred, Allison Chatrchyan, and Giuseppe De Luca. 2020. "Climate Change and Sustaining Heritage Resources: A Framework for Boosting Cultural and Natural Heritage Conservation in Central Italy" Climate 8, no. 2: 26. https://doi.org/10.3390/cli8020026
APA StyleShirvani Dastgerdi, A., Sargolini, M., Broussard Allred, S., Chatrchyan, A., & De Luca, G. (2020). Climate Change and Sustaining Heritage Resources: A Framework for Boosting Cultural and Natural Heritage Conservation in Central Italy. Climate, 8(2), 26. https://doi.org/10.3390/cli8020026