How to Deal with Adobe Architecture in the Ancient Near East: The Case of Ebla in Syria
Abstract
:1. Introduction
2. The Restoration Project
- (1)
- Completing the excavation of the area when necessary (new operations were intended to promote new archaeological investigation, on one hand, and to mark the area with new protecting contour modern walls, on the other);
- (2)
- Digging the baulk squares originally left to ‘protect’ the (mudbrick) structures;
- (3)
- Consolidation of mudbricks, foundations walls, and floors;
- (4)
3. Project Phase I: Analyses of Mudbrick Structures
- (1)
- Very efficacious products as the ethyl silicates are very expensive; their use might create problems;
- (2)
- Acrylic emulsions, when properly used, are really good but they require constant interventions of maintenance;
- (3)
- White cement added to the traditional mortars, is particularly successful (at the beginning, when the local kind of white cement was used, it was necessary to test its quality by analysing the presence of salt).
- (1)
- Chemical and physical composition of the mudbricks and their components;
- (2)
- Analyses of calcium phosphate and carbonate;
- (3)
- Analysis of the shape of small particles;
- (4)
- Considerations about colour;
- (5)
- The humidity of mudbrick walls by using the Humidtest to verify the rate of humidity and presence of salt both on the surface and in-depth. The detail of humidity is particularly important if the surface of mudbrick walls is decorated and covered with white or coloured plaster.
4. Project Phase II: Restoration and Preservation of Mudbricks
- (1)
- Ancient mudbricks are systematically consolidated through injections of ethyl silicates or acrylic resins [42]. Liquids are filtered through small pipes (Figure 6) into the mudbricks from different heights and pressure so that the consolidating material can be absorbed from within the core of the walls towards the external surface. The vice versa process can cause the formation of a crust on the surface that, once dried, splits and falls together with portions of the original mudbricks [4] (p. 934).
- (2)
- After the first intervention of consolidation, ancient mudbricks are covered with a layer of new-fashioned mudbricks. These new bricks are made from the same soil of the site—thus presumably the same the ancients used. Clay and straw are enriched with an acrylic resin (Primal in a 5% solution) that diminishes the growth of vegetation, on the one hand, and guarantees a natural colour (the addition of new lime would cause an extremely white colour), on the other. However, the colour of the new mudbricks is different from that of the original ancient bricks. Indeed, different colours have been purposely used to distinguish the original parts from restored sections (Figure 7, Figure 8 and Figure 9).
- (3)
- Based on a traditional local system of preserving modern mudbrick buildings, ancient mudbrick walls have been covered with a mud plaster (tin) made of soil, lime, and straw; a 5% acrylic resin solution has been added to the water of the mixture to make the plaster more resistant in protecting the mudbricks. This mud plaster must be renewed each year, but it is an excellent solution for the protection of mudbricks since it relies on local traditional workmanship and the impact on the ancient structures is not (aesthetically and substantially) invasive. Rain, wind, and snow consume this external film of the plaster without damaging the mudbricks underneath (Figure 10 and Figure 11).
5. Conclusions
- (1)
- The study and design of new eco-compatible protocols for the rehabilitation of mudbrick structures. Thanks to advanced 3D modelling, prototypes of architectural models, and photorealistic renderings, environmental insertion simulations and films will be created;
- (2)
- The realisation of a faithful reproduction of sectors of ancient Ebla to be displayed in situ, in correspondence with the original buildings or their parts, protecting and preserving the original excavation;
- (3)
- The creation of a risk map for monitoring the original structures and restoration interventions: Compilation data (operator, date, any updates); Location; Contextual data; Artifact made of clay (typological identification, dating; brief description); Use of adobe (construction element; location of the construction element; type of use; dating; quantitative consistency; specific restoration work carried out; added protective elements; current status); Risk conditions (categories Risk Card Istituto Centrale del Restauro); Reliefs; Dated photographic documentation);
- (4)
- The creation of a WEBGIS atlas, which can be consulted online and continuously updated via sensors in situ, of the condition of adobe architectures and archaeological evidence and which takes into consideration periods and geographical areas with the identification of peculiarities and environmental problems for the conservation of mudbricks (wet areas, extremely dry areas, rainfall, etc.).
Funding
Data Availability Statement
Conflicts of Interest
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Nadali, D. How to Deal with Adobe Architecture in the Ancient Near East: The Case of Ebla in Syria. Heritage 2023, 6, 1856-1870. https://doi.org/10.3390/heritage6020099
Nadali D. How to Deal with Adobe Architecture in the Ancient Near East: The Case of Ebla in Syria. Heritage. 2023; 6(2):1856-1870. https://doi.org/10.3390/heritage6020099
Chicago/Turabian StyleNadali, Davide. 2023. "How to Deal with Adobe Architecture in the Ancient Near East: The Case of Ebla in Syria" Heritage 6, no. 2: 1856-1870. https://doi.org/10.3390/heritage6020099
APA StyleNadali, D. (2023). How to Deal with Adobe Architecture in the Ancient Near East: The Case of Ebla in Syria. Heritage, 6(2), 1856-1870. https://doi.org/10.3390/heritage6020099