The Art of Barniz de Pasto and Its Appropriation of Other Cultures
Round 1
Reviewer 1 Report
I do not have comments or suggestions for author/s
Author Response
Thank you very much for your review.
I agreed with the reviewer.
Reviewer 2 Report
inscriptions are transcribed in some instances, not in others. should be in each case.
I don't understand why phylacteries are cited in an article that otherwise is concerned with Christian iconography.
Why would a borrowing from a book, that might easily have travelled, helped locate this particular object's production? And is this God Amaru, a marine deity, particularly associated with the central Andes?
the photographs are not very clear
typo in n. 41. Also on p. 12, I believe 41 is meant rather than 51
Is there evidence of other kinds of contact between Quito and the central Andes?
Author Response
Thank you veru much.
I agreed with the reviewer´s comments. I have revised my text according to them.
Reviewer 3 Report
This was a strong contribution to the field. In future research, consider the crossover effects of cross-cultural exchange - it is rarely one-way.
Author Response
Thank you very much for your review.
I agreed with the reviewer.