Shakespeare and Religion

A special issue of Religions (ISSN 2077-1444). This special issue belongs to the section "Religions and Humanities/Philosophies".

Deadline for manuscript submissions: 15 February 2025 | Viewed by 796

Special Issue Editor


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Guest Editor
College of Liberal Arts and Sciences, Wayne State University, Detroit, MI 48201, USA
Interests: Early modern drama; Shakespeare; Religion; Continental philosophy and literary theory

Special Issue Information

Dear Colleagues,

This is a call for essays for a Special Issue of Religions titled “Shakespeare and Religion”. Twenty years after the “turn to religion” in early modern studies, it is unclear if this long-lasting, powerful, critical discussion is over or evolving. In the popular mind and imagination that addresses the matter, Shakespeare remains stalled as the rather militant secular intellectual, albeit aging, New Yorker of the 1960s and 1970s, embracing familiar forms of twentieth century liberal humanism. In academia, a rather stern historicism still holds sway, seeking to place the playwright in a time-locked world, a fierce game of obscurantism, underway without a clear end. The close relationship between religion and continental philosophy that generated some excitement at the turn of the century seems barely visible, the idea of “justice” no longer beyond deconstruction but easily accessible to every undergraduate and social media account. At the same time, the religious pressures of geo-politics are returning with a ferocity that would unnerve the most passionate reformers or recusants of Shakespeare’s world. And the humanities itself, for a host of reasons, seems to have lost its footing, perhaps for the last time since it organized itself around Shakespeare (and his complex religious world) so many decades ago. Does Shakespeare and Shakespeare studies still have anything to say? To itself? To a broader audience?

In this Special Issue, original research articles and reviews are welcome. Research areas may include (but are not limited to) the following: reflections on the “turn to religion”, anything on the lessons of The Merchant of Venice and its study, Shakespeare and the new Gods of AI and social media, and, of course, serious, original historical scholarship.

We request that, prior to submitting a manuscript, interested authors initially submit a proposed title and an abstract of 150–200 words summarizing their intended contribution. Please send it to the Guest Editor, Prof. Dr. Kenneth Jackson ([email protected]) and CC the Assistant Editor, Ms. Joyce Xi ([email protected]). Abstracts will be reviewed by the Guest Editors for the purposes of ensuring proper fit within the scope of the Special Issue. Full manuscripts will undergo double-blind peer review.

We look forward to receiving your contributions.

Prof. Dr. Kenneth Jackson
Guest Editor

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Keywords

  • religions
  • secularism
  • continental philosophy
  • historicism
  • reformation
  • recusant

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Published Papers (1 paper)

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Research

15 pages, 249 KiB  
Article
Bridging the Shakespearean and Jataka Narratives: A Narratological Analysis of Othello and Sambulā Jātaka (519)
by Nipunika Dilani
Religions 2024, 15(11), 1298; https://doi.org/10.3390/rel15111298 - 24 Oct 2024
Viewed by 585
Abstract
This study explores the thematic and structural parallels between William Shakespeare’s Othello and the Sambulā Jātaka (519) from ancient Buddhist literature. Through a detailed narratological analysis, this study examines the narrative structure, narrator and narrative perspectives, focalization, temporal aspects, and narrative techniques employed [...] Read more.
This study explores the thematic and structural parallels between William Shakespeare’s Othello and the Sambulā Jātaka (519) from ancient Buddhist literature. Through a detailed narratological analysis, this study examines the narrative structure, narrator and narrative perspectives, focalization, temporal aspects, and narrative techniques employed in both texts. By investigating how each narrative addresses themes of sexual jealousy, trust, and human frailty, this paper highlights the universal nature of these emotions and their impact across two cultural contexts. This study employs the qualitative approach of research analyzing the texts, Othello and the Sambulā Jātaka, as a sample representing two larger canons. The analysis reveals that both genres utilize the narratological aspects to reveal the destructive nature of most of the above underlying emotions, bringing them to the surface and creating a powerful resonance that transcends time and geography. This comparative study underscores the timeless relevance of these narratives and their shared exploration of the complexities of human relationships and the destructive power of irrational suspicions. Full article
(This article belongs to the Special Issue Shakespeare and Religion)
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